THEPREFACE
Theartististhecreatorof
vackra
beautifulthings.Torevealart
och
andconcealtheartistisart’saim.Den
Thecriticishewhokan
cantranslateintoanothermannereller
oranewmaterialhisimpressionofvackra
beautifulthings.Thehighestas
den
thelowestformofcriticismisett
amodeofautobiography.Those
som
whofinduglymeaningsinvackra
beautifulthingsarecorruptwithoutbeingcharming.Här
Thisisafault.Those
som
whofindbeautifulmeaningsinvackra
beautifulthingsarethecultivated.For
dessa
thesethereishope.Theyaretheelecttowhom
vackra
beautifulthingsmeanonlybeauty.Det
Thereisnosuchthingasamoraleller
oranimmoralbook.Booksarewellwritten,
eller
orbadlywritten.Thatis
allt
all.ThenineteenthcenturydislikeofrealismistherageofCaliban
ser
seeinghisownfaceinen
aglass.ThenineteenthcenturydislikeofromanticismistherageofCalibannot
se
seeinghisownfaceinett
aglass.Themorallifeofmanforms
del
partofthesubject-matterofden
theartist,butthemoralityofartconsistsinden
theperfectuseofanimperfectmedium.Ingen
Noartistdesirestoprovenågot
anything.Eventhingsthatare
sanna
truecanbeproved.Noartist
har
hasethicalsympathies.Anethicalsympathyin
en
anartistisanunpardonablemannerismofstyle.Ingen
Noartistisevermorbid.Theartist
kan
canexpresseverything.Thoughtandlanguagearetotheartistinstrumentsof
ett
anart.Viceandvirtuearetotheartistmaterialsfor
en
anart.Fromthepointofviewofform,thetypeof
alla
alltheartsistheartofthemusician.Fromthepointofviewoffeeling,theactor’scraftisthetype.
Allartisatoncesurface
och
andsymbol.Thosewhogobeneaththesurface
gör
dosoattheirperil.Those
som
whoreadthesymboldosoattheirperil.Itisthespectator,
och
andnotlife,thatartverkligen
reallymirrors.Diversityofopinion
om
aboutaworkofartvisar
showsthattheworkisnytt
new,complex,andvital.Whencriticsdisagree,theartistisinaccord
med
withhimself.Wecanforgive
en
amanformakingausefulsak
thingaslongashegöra
doesnotadmireit.The
enda
onlyexcuseformakingauselesssak
thingisthatoneadmiresitintensely.Allartis
helt
quiteuseless.CHAPTERI.
Thestudiowasfilledwiththerichodourofroses,
och
andwhenthelightsummerwindstirredamidstthetreesofthegarden,therekom
camethroughtheopendoortheheavyscentofthelilac,eller
orthemoredelicateperfumeofthepink-floweringthorn.From
de
thecornerofthedivanofPersiansaddle-bagsonwhichhewaslåg
lying,smoking,aswashiscustom,innumerablecigarettes,Lord
LordHenryWottoncouldjustcatchde
thegleamofthehoney-sweetoch
andhoney-colouredblossomsofalaburnum,whosetremulousbranchesseemedhardlyabletobearde
theburdenofabeautysoflamelikeastheirs;och
andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwerestretchedinfrontofthehugewindow,producingakindofmomentaryJapaneseeffect,och
andmakinghimthinkofthosepallid,jade-facedpaintersofTokyowho,genom
throughthemediumofanartthatisnecessarilyimmobile,seektoconveythesenseofswiftnessoch
andmotion.Thesullenmurmurofthebeesshoulderingtheirway
genom
throughthelongunmowngrass,eller
orcirclingwithmonotonousinsistenceroundthedustygilthornsofthestragglingwoodbine,seemedtogöra
makethestillnessmoreoppressive.ThedimroarofLondonwas
som
likethebourdonnoteofen
adistantorgan.Inthecentreofthe
rummet
room,clampedtoanuprighteasel,stod
stoodthefull-lengthportraitofaung
youngmanofextraordinarypersonalbeauty,och
andinfrontofit,några
somelittledistanceaway,wassatt
sittingtheartisthimself,BasilHallward,whosesuddendisappearancenågra
someyearsagocaused,atthetiden
time,suchpublicexcitementandgav
gaverisetosomanystrangeconjectures.As
den
thepainterlookedatthegraciousoch
andcomelyformhehadsoskilfullymirroredinhisart,ett
asmileofpleasurepassedacrosshisansikte
face,andseemedabouttolingerdär
there.Buthesuddenlystarted
upp
up,andclosinghiseyes,placerade
placedhisfingersuponthelids,asthoughhesoughttoimprisonwithinhisbrainsomecuriousdröm
dreamfromwhichhefearedhekunna
mightawake.“Itisyour
bästa
bestwork,Basil,thebestthingyouhar
haveeverdone,”saidLordHenrylanguidly.“You
måste
mustcertainlysenditnextår
yeartotheGrosvenor.TheAcademyis
för
toolargeandtoovulgar.WheneverI
har
havegonethere,therehavebeenantingen
eithersomanypeoplethatIhar
havenotbeenabletose
seethepictures,whichwasdreadful,eller
orsomanypicturesthatIhar
havenotbeenabletose
seethepeople,whichwasworse.Det
TheGrosvenorisreallytheenda
onlyplace.”“Idon’tthinkIshall
skicka
senditanywhere,”heanswered,tossinghisheadtillbaka
backinthatoddwaythatbrukade
usedtomakehisfriendslaughathimatOxford.“No,Iwon’t
skickar
senditanywhere.”LordHenryelevatedhiseyebrows
och
andlookedathiminamazementgenom
throughthethinbluewreathsofsmokesom
thatcurledupinsuchfancifulwhorlsfromhisheavy,opium-taintedcigarette.“Not
sända
senditanywhere?Mydearfellow,
varför
why?Haveyouanyreason?
Whatoddchapsyoupainters
är
are!Youdoanythingintheworldtogain
ett
areputation.Assoonasyou
har
haveone,youseemtowanttothrowitbort
away.Itissillyofyou,forthereis
bara
onlyonethinginthevärlden
worldworsethanbeingtalkedom
about,andthatisnotbeingtalkedom
about.Aportraitlikethiswouldsetyou
långt
farabovealltheyoungmeninEngland,och
andmaketheoldmenganska
quitejealous,ifoldmenareevercapableofanyemotion.”“I
vet
knowyouwilllaughatme,”hereplied,“butIverkligen
reallycan’texhibitit.I
har
haveputtoomuchofmyselfintoit.”Lord
LordHenrystretchedhimselfoutonthedivanoch
andlaughed.“Yes,Iknewyouwould;
men
butitisquitetrue,allthesame.”“Too
mycket
muchofyourselfinit!Uponmy
ord
word,Basil,Ididn’tknowyouweresovain;och
andIreallycan’tseenågon
anyresemblancebetweenyou,withyourruggedstrongansikte
faceandyourcoal-blackhair,och
andthisyoungAdonis,wholooksasom
ifhewasmadeoutofivoryoch
androse-leaves.Why,mydearBasil,heisaNarcissus,
och
andyou—well,ofcourseyouhar
haveanintellectualexpressionandallt
allthat.Butbeauty,realbeauty,ends
där
whereanintellectualexpressionbegins.Intellectisinitself
ett
amodeofexaggeration,anddestroystheharmonyofalla
anyface.Themomentonesits
ner
downtothink,onebecomesallnose,eller
orallforehead,orsomethinghorrid.Titta
Lookatthesuccessfulmeninalla
anyofthelearnedprofessions.Hur
Howperfectlyhideoustheyare!Except,ofcourse,intheChurch.
Men
ButthenintheChurchtheydon’ttänker
think.Abishopkeepson
säga
sayingattheageofeightywhathewassäga
toldtosaywhenhewasen
aboyofeighteen,andasen
anaturalconsequencehealwaysser
looksabsolutelydelightful.Yourmysterious
unga
youngfriend,whosenameyouhar
havenevertoldme,butwhosepictureverkligen
reallyfascinatesme,neverthinks.I
känner
feelquitesureofthat.Heis
några
somebrainlessbeautifulcreaturewhoborde
shouldbealwayshereinwinternär
whenwehavenoflowerstotitta
lookat,andalwayshereinsummernär
whenwewantsomethingtochillourintelligence.Don’tflatteryourself,Basil:
youarenotin
det
theleastlikehim.”“Youdon’t
förstår
understandme,Harry,”answeredtheartist.“OfcourseIamnot
som
likehim.Iknowthatperfectly
väl
well.Indeed,Ishouldbe
synd
sorrytolooklikehim.Youshrugyourshoulders?
Iam
säger
tellingyouthetruth.Thereis
en
afatalityaboutallphysicaloch
andintellectualdistinction,thesortoffatalitysom
thatseemstodogthroughhistorythefalteringstepsofkings.Itis
bättre
betternottobedifferentfromone’sfellows.Theugly
och
andthestupidhavethebästa
bestofitinthisvärlden
world.Theycansitattheirease
och
andgapeattheplay.Om
Iftheyknownothingofvictory,theyareatåtminstone
leastsparedtheknowledgeofdefeat.Theyliveaswe
alla
allshouldlive—undisturbed,indifferent,andutan
withoutdisquiet.Theyneitherbringruinuponothers,noreverreceiveitfromalienhands.
Yourrank
och
andwealth,Harry;mybrains,suchastheyare—myart,
vad
whateveritmaybeworth;DorianGray’s
goda
goodlooks—weshallallsufferforwhatdet
thegodshavegivenus,sufferterribly.”“DorianGray?
Isthathisname?”
frågade
askedLordHenry,walkingacrossthestudiotowardsBasilHallward.“Yes,thatishis
namn
name.Ididn’tintendto
berätta
tellittoyou.”“But
varför
whynot?”“Oh,Ican’texplain.
När
WhenIlikepeopleimmensely,Ialdrig
nevertelltheirnamestonågon
anyone.Itislikesurrendering
en
apartofthem.I
har
havegrowntolovesecrecy.Itseemstobetheonething
som
thatcanmakemodernlifemysteriouseller
ormarvelloustous.Thecommonestthingisdelightful
om
ifoneonlyhidesit.När
WhenIleavetownnowIaldrig
nevertellmypeoplewhereIamgoing.Om
IfIdid,Iwouldförlora
loseallmypleasure.Itis
en
asillyhabit,Idaresäga
say,butsomehowitseemstoge
bringagreatdealofromanceintoone’sliv
life.Isupposeyouthinkmeawfullyfoolish
om
aboutit?”“Notatall,”
svarade
answeredLordHenry,“notatall,mykäre
dearBasil.Youseemto
glömma
forgetthatIammarried,och
andtheonecharmofmarriageisthatitgör
makesalifeofdeceptionabsolutelynecessaryforbåda
bothparties.Ineverknow
var
wheremywifeis,andmyfru
wifeneverknowswhatIamgör
doing.Whenwemeet—wedomeetoccasionally,
när
whenwedineouttogether,eller
orgodowntotheDuke’s—weberättar
telleachotherthemostabsurdstoriesmed
withthemostseriousfaces.My
fru
wifeisverygoodatit—muchbättre
better,infact,thanIam.She
aldrig
nevergetsconfusedoverherdates,och
andIalwaysdo.But
när
whenshedoesfindmeout,shegör
makesnorowatall.I
ibland
sometimeswishshewould;butshemerelylaughsatme.”
“I
hatar
hatethewayyoutalkom
aboutyourmarriedlife,Harry,”sa
saidBasilHallward,strollingtowardsthedörren
doorthatledintothegarden.“I
tror
believethatyouarereallyen
averygoodhusband,butatt
thatyouarethoroughlyashamedofyouregna
ownvirtues.Youareanextraordinaryfellow.
You
aldrig
neversayamoralthing,och
andyouneverdoawrongthing.Yourcynicismissimply
en
apose.”“Beingnaturalissimply
en
apose,andthemostirritatingposeIknow,”criedLord
LordHenry,laughing;andthe
två
twoyoungmenwentoutintode
thegardentogetherandensconcedthemselvesonen
alongbambooseatthatstod
stoodintheshadeofen
atalllaurelbush.Thesunlightslipped
över
overthepolishedleaves.Inthegrass,
vita
whitedaisiesweretremulous.After
en
apause,LordHenrypulledouthisklocka
watch.“IamafraidI
måste
mustbegoing,Basil,”hemurmured,“andinnan
beforeIgo,Iinsistonyoursvarar
answeringaquestionIputtoyousometid
timeago.”“Whatisthat?”
sa
saidthepainter,keepinghiseyesfixedontheground.“You
vet
knowquitewell.”“Idonot,Harry.”
“Well,Iwill
berätta
tellyouwhatitis.I
vill
wantyoutoexplaintomevarför
whyyouwon’texhibitDorianGray’spicture.Iwant
den
therealreason.”“Itoldyou
den
therealreason.”“No,you
gjorde
didnot.Yousaiditwasbecausetherewas
för
toomuchofyourselfinit.Now,thatischildish.”
“Harry,”
sa
saidBasilHallward,lookinghimstraightintheface,“everyportraitsom
thatispaintedwithfeelingisett
aportraitoftheartist,notofthesitter.Thesitterismerelytheaccident,theoccasion.
Itisnothe
som
whoisrevealedbythepainter;itisratherthepainter
som
who,onthecolouredcanvas,revealshimself.ThereasonI
kommer
willnotexhibitthispictureisatt
thatIamafraidthatIhar
haveshowninitthesecretofmyegen
ownsoul.”LordHenrylaughed.
“Andwhatisthat?”
he
frågade
asked.“Iwilltellyou,”
sa
saidHallward;butanexpressionofperplexity
kom
cameoverhisface.“Iamallexpectation,Basil,”continuedhiscompanion,glancingat
honom
him.“Oh,thereisreally
väldigt
verylittletotell,Harry,”svarade
answeredthepainter;“andIam
rädd
afraidyouwillhardlyunderstanddet
it.Perhapsyouwillhardly
tro
believeit.”LordHenrysmiled,
och
andleaningdown,pluckedapink-petalleddaisyfromthegrassoch
andexaminedit.“Iam
helt
quitesureIshallunderstandit,”hereplied,gazingintentlyatthelilla
littlegolden,white-feathereddisk,“andasfortro
believingthings,Icanbelieveallt
anything,providedthatitishelt
quiteincredible.”Thewindshook
några
someblossomsfromthetrees,och
andtheheavylilac-blooms,withtheirclusteringstars,flyttade
movedtoandfrointhelanguidluft
air.Agrasshopperbegantochirrupbythewall,
och
andlikeabluethreaden
alongthindragon-flyfloatedförbi
pastonitsbrowngauzewings.Lord
LordHenryfeltasifhecouldhöra
hearBasilHallward’sheartbeating,och
andwonderedwhatwascoming.“Thestoryissimplythis,”
sa
saidthepainteraftersometid
time.“TwomonthsagoI
gick
wenttoacrushatLady
LadyBrandon’s.Youknowwe
stackars
poorartistshavetoshowourselvesinsocietyfromtid
timetotime,justtoremindthepublicthatwearenotsavages.Med
Withaneveningcoatandavit
whitetie,asyoutoldmeonce,vem
anybody,evenastock-broker,cangainareputationforbeingcivilized.Tja
Well,afterIhadbeenintherummet
roomabouttenminutes,talkingtohugeoverdresseddowagersoch
andtediousacademicians,Isuddenlyblev
becameconsciousthatsomeonewastittade
lookingatme.Iturnedhalf-wayround
och
andsawDorianGrayfortheförsta
firsttime.Whenoureyesmet,I
kände
feltthatIwasgrowingpale.En
Acurioussensationofterrorkom
cameoverme.IknewthatI
hade
hadcomefacetofacemed
withsomeonewhosemerepersonalitywassofascinatingthat,om
ifIallowedittogöra
doso,itwouldabsorbmyhela
wholenature,mywholesoul,myveryartitself.Ididnot
ha
wantanyexternalinfluenceinmyliv
life.Youknowyourself,Harry,
hur
howindependentIambynature.I
har
havealwaysbeenmyownmaster;hade
hadatleastalwaysbeenso,tillIträffade
metDorianGray.Then—butIdon’t
vet
knowhowtoexplainittoyou.Något
SomethingseemedtotellmethatIwasonthevergeofen
aterriblecrisisinmyliv
life.Ihadastrangefeeling
att
thatfatehadinstoreformeexquisitejoysoch
andexquisitesorrows.Igrew
rädd
afraidandturnedtoquittherummet
room.Itwasnotconsciencethat
göra
mademedoso:itwas
en
asortofcowardice.I
tar
takenocredittomyselfforförsökte
tryingtoescape.”“Conscienceandcowardicearereallythe
samma
samethings,Basil.Conscienceisthetrade-nameofthefirm.
Thatisall.”
“Idon’t
tror
believethat,Harry,andIdon’ttror
believeyoudoeither.However,
vad
whateverwasmymotive—anditkan
mayhavebeenpride,forIbrukade
usedtobeveryproud—Icertainlystruggledtothedörren
door.There,ofcourse,Istumbled
mot
againstLadyBrandon.‘Youarenotgoingto
springa
runawaysosoon,Mr.Hallward?’shescreamedout.You
känner
knowhercuriouslyshrillvoice?”“Yes;
sheis
en
apeacockineverythingbutbeauty,”sa
saidLordHenry,pullingthedaisytobitsmed
withhislongnervousfingers.“I
kunde
couldnotgetridofhenne
her.Shebroughtmeuptoroyalties,
och
andpeoplewithstarsandgarters,och
andelderlyladieswithgigantictiarasoch
andparrotnoses.Shespokeofmeasherdearest
vän
friend.Ihadonlymetheroncebefore,
men
butshetookitintoherheadtolionizemig
me.Ibelievesomepictureofminehadmadea
stor
greatsuccessatthetime,atåtminstone
leasthadbeenchatteredaboutinden
thepennynewspapers,whichisden
thenineteenth-centurystandardofimmortality.SuddenlyIfoundmyself
ansikte
facetofacewiththeunge
youngmanwhosepersonalityhadsostrangelystirredmig
me.