THEPREFACE
Theartististhecreatorofbeautifulthings.
Toreveal
umetnosti
artandconcealtheartistisart’saim.Thecriticishewhocantranslateintoanothermanneroranewmaterialhisimpressionofbeautifulthings.
Thehighestasthelowestformofcriticismisamodeofautobiography.
Thosewhofind
grde
uglymeaningsinbeautifulthingsarecorruptwithoutbeingcharming.Thisisa
napaka
fault.Thosewhofindbeautifulmeaningsinbeautifulthingsarethecultivated.
Forthesethereishope.
Theyaretheelecttowhombeautifulthingsmeanonly
lepoto
beauty.Thereisnosuchthingasamoraloranimmoralbook.
Booksarewellwritten,orbadlywritten.
Thatisall.
ThenineteenthcenturydislikeofrealismistherageofCalibanseeinghisownfaceinaglass.
ThenineteenthcenturydislikeofromanticismistherageofCalibannotseeinghisownfaceinaglass.
Themorallifeofmanformspartofthesubject-matteroftheartist,butthemoralityof
umetnosti
artconsistsintheperfectuseofanimperfectmedium.Noartistdesiresto
dokazati
proveanything.Eventhingsthataretruecanbeproved.
Noartisthasethicalsympathies.
Anethicalsympathyinanartistisanunpardonablemannerismofstyle.
Noartistisevermorbid.
Theartistcanexpresseverything.
Thoughtand
jezik
languagearetotheartistinstrumentsofanumetnosti
art.Viceandvirtuearetotheartistmaterialsforanart.
Fromthepointofviewofform,the
vrsta
typeofalltheartsistheumetnosti
artofthemusician.Fromthepointofviewoffeeling,theactor’scraftisthe
tip
type.Allartisatoncesurfaceandsymbol.
Thosewhogobeneaththesurfacedosoattheirperil.
Thosewhoreadthesymboldosoattheirperil.
Itisthespectator,andnotlife,thatartreallymirrors.
Diversityofopinionaboutaworkofartshowsthattheworkisnew,complex,andvital.
Whencriticsdisagree,theartistisinaccordwithhimself.
Wecanforgiveamanformakingausefulthingaslongashedoesnotadmireit.
Theonlyexcuseformakingauselessthingisthatoneadmiresitintensely.
Allartisquiteuseless.
CHAPTERI.
Thestudiowasfilledwiththerichodourofroses,andwhenthelightsummer
veter
windstirredamidstthetreesofthegarden,therecamethroughtheopendoortheheavyscentofthelilac,orthemoredelicateperfumeofthepink-floweringthorn.FromthecornerofthedivanofPersiansaddle-bagsonwhichhewaslying,smoking,aswashiscustom,innumerablecigarettes,LordHenryWottoncouldjustcatchthegleamofthehoney-sweetandhoney-colouredblossomsofalaburnum,
katerih
whosetremulousbranchesseemedhardlyabletobeartheburdenofabeautysoflamelikeastheirs;andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwerestretchedinfrontofthehugewindow,producingakindofmomentaryJapaneseeffect,andmakinghimthinkofthosepallid,jade-facedpaintersofTokyowho,throughthemediumofan
umetnosti
artthatisnecessarilyimmobile,seektoconveytheobčutek
senseofswiftnessandmotion.Thesullenmurmurofthebeesshoulderingtheirwaythroughthelongunmowngrass,orcirclingwithmonotonousinsistenceroundthedustygilthornsofthestragglingwoodbine,seemedtomakethestillnessmoreoppressive.
ThedimroarofLondonwaslikethebourdonnoteofadistantorgan.
Inthecentreoftheroom,clampedtoanuprighteasel,stoodthefull-lengthportraitofayoungmanofextraordinary
osebne
personalbeauty,andinfrontofit,somelittledistanceaway,wassittingtheartisthimself,BasilHallward,whosesuddendisappearancesomeyearsagocaused,atthetime,suchjavno
publicexcitementandgaverisetosomanyčudnih
strangeconjectures.Asthepainterlookedatthegraciousandcomelyformhehadsoskilfullymirroredinhis
umetnosti
art,asmileofpleasurepassedacrosshisface,andseemedabouttolingerthere.Buthe
nenadoma
suddenlystartedup,andclosinghiseyes,placedhisfingersuponthelids,asthoughhesoughttoimprisonwithinhisbrainsomecuriousdreamfromwhichhefearedhemightawake.“Itisyourbestwork,Basil,thebestthingyouhaveeverdone,”saidLordHenrylanguidly.
“YoumustcertainlysenditnextyeartotheGrosvenor.
TheAcademyistoolargeandtoovulgar.
WheneverIhavegonethere,therehavebeeneithersomanypeoplethatIhavenotbeenabletoseethepictures,whichwasdreadful,orsomanypicturesthatIhavenotbeenabletoseethepeople,whichwas
slabše
worse.TheGrosvenorisreallytheonlyplace.”
“Idon’tthinkIshallsenditanywhere,”heanswered,tossinghisheadbackinthatoddwaythatusedtomakehisfriendslaughathimatOxford.
“No,Iwon’tsenditanywhere.”
LordHenryelevatedhiseyebrowsandlookedathiminamazementthroughthethin
modri
bluewreathsofsmokethatcurledupinsuchfancifulwhorlsfromhistežke
heavy,opium-taintedcigarette.“Notsendit
nikamor
anywhere?Mydearfellow,why?
Haveyouanyreason?
Whatoddchapsyoupaintersare!
Youdoanythingintheworldtogainareputation.
Assoonasyouhaveone,youseemtowanttothrowitaway.
Itissillyofyou,forthereisonlyonethingintheworldworsethanbeingtalkedabout,andthatisnotbeingtalkedabout.
Aportraitlikethiswouldsetyoufar
nad
abovealltheyoungmeninEngland,andmaketheoldmenquitejealous,ifoldmenareevercapableofanyemotion.”“Iknowyouwilllaughatme,”hereplied,“butIreallycan’texhibitit.
Ihaveputtoomuchofmyselfintoit.”
LordHenrystretchedhimselfoutonthedivanandlaughed.
“Yes,Iknewyouwould;
butitisquitetrue,allthesame.”
“Toomuchofyourselfinit!
Uponmyword,Basil,Ididn’tknowyouweresovain;
andIreallycan’tseeanyresemblancebetweenyou,withyourruggedstrongfaceandyourcoal-blackhair,andthisyoungAdonis,wholooksasifhewasmadeoutofivoryandrose-leaves.
Why,mydearBasil,heisaNarcissus,andyou—well,ofcourseyouhaveanintellectualexpressionandallthat.
Butbeauty,realbeauty,endswhereanintellectualexpressionbegins.
Intellectisinitselfamodeofexaggeration,anddestroystheharmonyofanyface.
Themomentonesitsdowntothink,onebecomesall
nos
nose,orallforehead,orsomethinghorrid.Lookatthesuccessfulmeninanyofthelearnedprofessions.
Howperfectlyhideoustheyare!
Razen
Except,ofcourse,intheChurch.ButthenintheChurchtheydon’tthink.
Abishopkeepsonsayingattheageofeightywhathewastoldtosaywhenhewasaboyofeighteen,andasanaturalconsequencehealwayslooks
popolnoma
absolutelydelightful.Yourmysteriousyoungfriend,whosenameyouhavenevertoldme,butwhosepicturereallyfascinatesme,neverthinks.
Ifeelquitesureofthat.
Heissomebrainlessbeautifulcreaturewhoshouldbealwayshereinwinterwhenwehavenoflowerstolookat,andalwayshereinsummerwhenwewantsomethingtochillourintelligence.
Don’tflatteryourself,Basil:
youarenotintheleastlikehim.”
“Youdon’tunderstandme,Harry,”answeredtheartist.
“OfcourseIamnotlikehim.
Iknowthatperfectlywell.
Indeed,Ishouldbesorrytolooklikehim.
Youshrugyourshoulders?
Iamtellingyouthetruth.
Thereisafatalityaboutallphysicalandintellectualdistinction,thesortoffatalitythatseemstodogthroughhistorythefalteringstepsofkings.
Itisbetternottobedifferentfromone’sfellows.
The
grdi
uglyandthestupidhavethebestofitinthisworld.Theycansitattheireaseandgapeattheplay.
Iftheyknownothingofvictory,theyareatleastsparedtheknowledgeofdefeat.
Theyliveasweallshouldlive—undisturbed,indifferent,andwithoutdisquiet.
Theyneitherbringruinuponothers,noreverreceiveitfromalienhands.
Yourrankandwealth,Harry;
mybrains,suchastheyare—myart,whateveritmaybe
vredno
worth;DorianGray’sgoodlooks—weshallallsufferforwhatthegodshavegivenus,sufferterribly.”
“DorianGray?
Isthathisname?”
askedLordHenry,walkingacrossthestudiotowardsBasilHallward.
“Yes,thatishisname.
Ididn’tintendtotellittoyou.”
“Butwhynot?”
“Oh,Ican’t
razložiti
explain.WhenIlikepeopleimmensely,Inevertelltheirnamestoanyone.
Itislikesurrenderingapartofthem.
Ihavegrowntolovesecrecy.
Itseemstobetheonethingthatcanmakemodernlifemysteriousormarvelloustous.
Thecommonestthingisdelightfulifoneonlyhidesit.
WhenIleavetownnowInevertellmypeoplewhereIamgoing.
IfIdid,Iwouldloseallmy
užitek
pleasure.Itisasillyhabit,Idaresay,butsomehowitseemstobringagreatdealofromanceintoone’slife.
I
predvidevam
supposeyouthinkmeawfullyfoolishaboutit?”“Notatall,”answeredLordHenry,“notatall,mydearBasil.
You
zdi
seemtoforgetthatIammarried,andtheonecharmofmarriageisthatitmakesalifeofdeceptionpopolnoma
absolutelynecessaryforbothparties.Ineverknowwheremywifeis,andmywifeneverknowswhatIamdoing.
Whenwemeet—wedomeetoccasionally,whenwedineouttogether,orgodowntotheDuke’s—wetelleachotherthemostabsurdstorieswiththemostseriousfaces.
Mywifeisverygoodatit—muchbetter,infact,thanIam.
Shenevergetsconfusedoverherdates,andIalwaysdo.
Butwhenshedoesfindmeout,shemakesnorowatall.
Isometimeswishshewould;
butshemerelylaughsatme.”
“Ihatethewayyoutalkaboutyourmarriedlife,Harry,”saidBasilHallward,strollingtowardsthedoorthatledintothegarden.
“Ibelievethatyouarereallyaverygoodhusband,butthatyouarethoroughlyashamedofyourownvirtues.
Youareanextraordinaryfellow.
Youneversayamoralthing,andyouneverdoawrongthing.
Yourcynicismissimplyapose.”
“Beingnaturalis
preprosto
simplyapose,andthemostirritatingposeIknow,”criedLordHenry,laughing;andthetwoyoungmenwentoutintothegardentogetherandensconcedthemselvesonalongbambooseatthatstoodintheshadeofatalllaurelbush.
Thesunlightslippedoverthepolishedleaves.
Inthegrass,whitedaisiesweretremulous.
Afterapause,LordHenrypulledouthiswatch.
“IamafraidImustbegoing,Basil,”hemurmured,“andbeforeIgo,IinsistonyouransweringaquestionIputtoyousometimeago.”
“Whatisthat?”
saidthepainter,keepinghiseyesfixedontheground.
“Youknowquitewell.”
“Idonot,Harry.”
“Well,Iwilltellyouwhatitis.
Iwantyoutoexplaintomewhyyouwon’texhibitDorianGray’spicture.
Iwanttherealreason.”
“Itoldyoutherealreason.”
“No,youdidnot.
Yousaiditwasbecausetherewastoomuchofyourselfinit.
Now,thatischildish.”
“Harry,”saidBasilHallward,lookinghim
naravnost
straightintheface,“everyportraitthatispaintedwithfeelingisaportraitoftheartist,notofthesitter.Thesitterismerelytheaccident,theoccasion.
Itisnothewhoisrevealedbythepainter;
itis
namesto
ratherthepainterwho,onthecolouredcanvas,revealshimself.ThereasonIwillnotexhibitthispictureisthatIamafraidthatIhaveshowninitthe
skrivnost
secretofmyownsoul.”LordHenrylaughed.
“Andwhatisthat?”
heasked.
“Iwilltellyou,”saidHallward;
butanexpressionofperplexitycameoverhisface.
“Iamallexpectation,Basil,”continuedhiscompanion,glancingathim.
“Oh,thereisreallyverylittletotell,Harry,”answeredthepainter;
“andIamafraidyouwillhardlyunderstandit.
Perhapsyouwillhardlybelieveit.”
LordHenrysmiled,andleaningdown,pluckedapink-petalleddaisyfromthegrassandexaminedit.
“IamquitesureIshallunderstandit,”hereplied,gazingintentlyatthelittlegolden,white-feathereddisk,“andasforbelievingthings,Icanbelieveanything,providedthatitisquiteincredible.”
The
veter
windshooksomeblossomsfromthetrees,andtheheavylilac-blooms,withtheirclusteringstars,movedtoandfrointhelanguidair.Agrasshopperbegantochirrupbythe
steni
wall,andlikeabluethreadalongthindragon-flyfloatedpastonitsbrowngauzewings.LordHenryfeltasifhecouldhearBasilHallward’sheartbeating,andwonderedwhatwascoming.
“Thestoryis
preprosto
simplythis,”saidthepainteraftersometime.“TwomonthsagoIwenttoacrushatLadyBrandon’s.
Youknowwepoorartistshavetoshowourselvesinsocietyfromtimetotime,justtoremindthepublicthatwearenotsavages.
Withaneveningcoatandawhitetie,asyoutoldmeonce,anybody,evenastock-broker,cangainareputationforbeingcivilized.
Well,afterIhadbeenintheroomabouttenminutes,talkingtohugeoverdresseddowagersandtediousacademicians,I
nenadoma
suddenlybecameconsciousthatsomeonewaslookingatme.Iturnedhalf-wayroundandsawDorianGrayforthefirsttime.
Whenoureyesmet,IfeltthatIwasgrowingpale.
Acurioussensationofterrorcameoverme.
IknewthatIhadcomefacetofacewithsomeone
čigar
whosemerepersonalitywassofascinatingthat,ifIallowedittodoso,itwouldabsorbmywholenature,mywholedušo
soul,myveryartitself.Ididnotwantanyexternalinfluenceinmylife.
Youknowyourself,Harry,howindependentIambynature.
Ihavealwaysbeenmyownmaster;
hadatleastalwaysbeenso,tillImetDorianGray.
Then—butIdon’tknowhowtoexplainittoyou.
SomethingseemedtotellmethatIwasonthevergeofaterriblecrisisinmylife.
Ihada
čuden
strangefeelingthatfatehadinstoreformeexquisitejoysandexquisitesorrows.Igrewafraidandturnedtoquittheroom.
Itwasnotconsciencethatmademedoso:
itwasasortofcowardice.
Itakenocredittomyselffortryingtoescape.”
“Conscienceandcowardicearereallythesamethings,Basil.
Conscienceisthetrade-nameofthefirm.
Thatisall.”
“Idon’tbelievethat,Harry,andIdon’tbelieveyoudoeither.
However,whateverwasmymotive—anditmayhavebeenpride,forIusedtobeveryproud—I
zagotovo
certainlystruggledtothedoor.There,ofcourse,IstumbledagainstLadyBrandon.
‘Youarenotgoingtorunawaysosoon,Mr.Hallward?’shescreamedout.
Youknowhercuriouslyshrillvoice?”
“Yes;
sheisapeacockineverythingbutbeauty,”saidLordHenry,pullingthedaisytobitswithhislongnervousfingers.
“Icouldnotgetridofher.
Shebroughtmeuptoroyalties,andpeoplewithstarsandgarters,andelderlyladieswithgigantictiarasandparrotnoses.
Shespokeofmeasherdearestfriend.
Ihadonlymetheroncebefore,butshetookitintoherheadtolionizeme.
Ibelievesomepictureofminehadmadeagreatsuccessatthetime,atleasthadbeenchatteredaboutinthepennynewspapers,whichisthenineteenth-centurystandardofimmortality.
Nenadoma
SuddenlyIfoundmyselffacetofacewiththeyoungmanwhosepersonalityhadsostrangelystirredme.