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The Picture of Dorian Gray | Progressively Translated Portuguese A2 Books

The Picture of Dorian Gray | Progressively Translated Portuguese A2 Books

Experience the benefits of this forward-thinking translation strategy that tailors language learning to your specific needs. You have control over the difficulty, which ensures that the content is neither too easy nor overly challenging. This method enhances your ability to understand new words through context, reducing reliance on direct translations. While the translations are subtly obscured to foster learning, you can still look up unclear terms. This balanced approach makes language acquisition smoother and more enjoyable. Delve into these translated literary works and discover the satisfaction of mastering a language through reading.

THEPREFACE
Theartististhecreatorofbeautifulthings.
Toreveal
arte
artandconcealtheartistisart’saim.
Thecriticishewhocantranslateintoanothermanneroranewmaterialhisimpressionofbeautifulthings.
Thehighestasthelowest
forma
formofcriticismisamodeofautobiography.
Thosewhofinduglymeaningsinbeautifulthingsarecorruptwithoutbeingcharming.
Thisisa
falha
fault.
Thosewhofindbeautifulmeaningsinbeautifulthingsarethecultivated.
Forthesethereishope.
Theyaretheelecttowhombeautifulthingsmeanonly
beleza
beauty.
Thereisnosuchthingasamoraloranimmoralbook.
Booksarewellwritten,orbadlywritten.
Thatisall.
ThenineteenthcenturydislikeofrealismistherageofCalibanseeinghisownfaceinaglass.
ThenineteenthcenturydislikeofromanticismistherageofCalibannotseeinghisownfaceinaglass.
Themorallifeofmanformspartofthesubject-matteroftheartist,butthemoralityof
arte
artconsistsintheperfectuseofanimperfectmedium.
Noartistdesiresto
provar
proveanything.
Eventhingsthataretruecanbeproved.
Noartisthasethicalsympathies.
Anethicalsympathyinanartistisanunpardonablemannerismofstyle.
Noartistisevermorbid.
Theartistcanexpresseverything.
Thoughtand
linguagem
languagearetotheartistinstrumentsofan
arte
art.
Viceandvirtuearetotheartistmaterialsforan
arte
art.
Fromthepointofviewof
forma
form,thetypeofalltheartsistheartofthemusician.
Fromthepointofviewoffeeling,theactor’scraftisthe
tipo
type.
Allartisatoncesurfaceandsymbol.
Thosewhogobeneaththesurfacedosoattheirperil.
Thosewhoreadthesymboldosoattheirperil.
Itisthespectator,andnotlife,that
arte
artreallymirrors.
Diversityofopinionaboutaworkof
arte
artshowsthattheworkisnew,complex,andvital.
Whencriticsdisagree,theartistisinaccordwithhimself.
Wecan
perdoar
forgiveamanformakingausefulthingaslongashedoesnotadmireit.
Theonlyexcuseformakingauselessthingisthatoneadmiresitintensely.
All
arte
artisquiteuseless.
CHAPTERI.
Thestudiowasfilledwiththerichodourofroses,andwhenthelight
verão
summerwindstirredamidstthetreesofthegarden,therecamethroughtheopendoorthe
pesado
heavyscentofthelilac,orthemoredelicateperfumeofthepink-floweringthorn.
FromthecornerofthedivanofPersiansaddle-bagsonwhichhewaslying,
fumando
smoking,aswashiscustom,innumerablecigarettes,LordHenryWottoncouldjustcatchthegleamofthehoney-sweetandhoney-colouredblossomsofalaburnum,
cujos
whosetremulousbranchesseemedhardlyableto
suportar
beartheburdenofa
beleza
beautysoflamelikeastheirs;
andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwerestretchedinfrontofthe
enorme
hugewindow,producingakindofmomentaryJapaneseeffect,andmakinghimthinkofthosepallid,jade-facedpaintersofTokyowho,throughthemediumofan
arte
artthatisnecessarilyimmobile,seektoconveythe
sensação
senseofswiftnessandmotion.
Thesullenmurmurofthebeesshoulderingtheirwaythroughthelongunmowngrass,orcirclingwithmonotonousinsistenceroundthedustygilthornsofthestragglingwoodbine,
parecia
seemedtomakethestillnessmoreoppressive.
ThedimroarofLondonwaslikethebourdonnoteofadistantorgan.
Inthecentreoftheroom,clampedtoanuprighteasel,stoodthefull-lengthportraitofayoungmanofextraordinary
pessoal
personalbeauty,andinfrontofit,somelittledistanceaway,wassittingtheartisthimself,BasilHallward,
cujo
whosesuddendisappearancesomeyearsagocaused,atthetime,suchpublicexcitementandgaverisetosomanystrangeconjectures.
Asthepainterlookedatthegraciousandcomely
forma
formhehadsoskilfullymirroredinhis
arte
art,asmileofpleasure
passou
passedacrosshisface,and
parecia
seemedabouttolingerthere.
Buthesuddenlystartedup,andclosinghiseyes,placedhisfingersuponthelids,asthoughhesoughttoimprisonwithinhis
cérebro
brainsomecuriousdreamfromwhichhe
temia
fearedhemightawake.
“Itisyourbestwork,Basil,thebestthingyouhaveeverdone,”saidLordHenrylanguidly.
“Youmust
certamente
certainlysenditnextyeartotheGrosvenor.
TheAcademyistoo
grande
largeandtoovulgar.
WheneverIhavegonethere,therehavebeeneithersomanypeoplethatIhavenotbeenabletoseethepictures,whichwasdreadful,orsomanypicturesthatIhavenotbeenabletoseethepeople,whichwas
pior
worse.
TheGrosvenorisreallytheonlyplace.”
“Idon’tthinkIshallsenditanywhere,”heanswered,tossinghisheadbackinthatoddwaythatusedtomakehisfriends
rirem
laughathimatOxford.
“No,Iwon’tsenditanywhere.”
LordHenryelevatedhiseyebrowsandlookedathiminamazementthroughthethinbluewreathsof
fumaça
smokethatcurledupinsuchfancifulwhorlsfromhis
pesado
heavy,opium-taintedcigarette.
“Notsenditanywhere?
Mydearfellow,why?
Haveyouanyreason?
Whatoddchapsyoupaintersare!
Youdoanythingintheworldtogainareputation.
Assoonasyouhaveone,you
parece
seemtowanttothrowitaway.
Itissillyofyou,forthereisonlyonethingintheworld
pior
worsethanbeingtalkedabout,andthatisnotbeingtalkedabout.
Aportraitlikethiswouldsetyoufar
acima
abovealltheyoungmeninEngland,andmaketheoldmenquitejealous,ifoldmenareevercapableofanyemotion.”
“Iknowyouwill
rir
laughatme,”hereplied,“butIreallycan’texhibitit.
Ihaveputtoomuchofmyselfintoit.”
LordHenrystretchedhimselfoutonthedivanand
riu
laughed.
“Yes,Iknewyouwould;
butitisquitetrue,allthesame.”
“Toomuchofyourselfinit!
Uponmyword,Basil,Ididn’tknowyouweresovain;
andIreallycan’tseeanyresemblancebetweenyou,withyourrugged
forte
strongfaceandyourcoal-blackhair,andthisyoungAdonis,wholooksasifhewasmadeoutofivoryandrose-leaves.
Why,mydearBasil,heisaNarcissus,andyou—well,ofcourseyouhaveanintellectualexpressionandallthat.
But
beleza
beauty,realbeauty,endswhereanintellectualexpression
começa
begins.
Intellectisinitselfamodeofexaggeration,anddestroystheharmonyofanyface.
Themomentonesitsdowntothink,onebecomesall
nariz
nose,orallforehead,orsomethinghorrid.
Lookatthesuccessfulmeninanyofthelearnedprofessions.
Howperfectlyhideoustheyare!
Exceto
Except,ofcourse,inthe
Igreja
Church.
Buttheninthe
Igreja
Churchtheydon’tthink.
Abishopkeepsonsayingattheageofeightywhathewastoldtosaywhenhewasaboyofeighteen,andasanaturalconsequencehealwayslooks
absolutamente
absolutelydelightful.
Yourmysteriousyoungfriend,whosenameyouhavenevertoldme,butwhose
foto
picturereallyfascinatesme,neverthinks.
Ifeelquitesureofthat.
Heissomebrainlessbeautifulcreaturewhoshouldbealwayshereinwinterwhenwehavenoflowerstolookat,andalwaysherein
verão
summerwhenwewantsomethingtochillourintelligence.
Don’tflatteryourself,Basil:
youarenotintheleastlikehim.”
“Youdon’tunderstandme,Harry,”answeredtheartist.
“OfcourseIamnotlikehim.
Iknowthatperfectlywell.
Indeed,Ishouldbesorrytolooklikehim.
Youshrugyourshoulders?
Iamtellingyouthetruth.
Thereisafatalityaboutallphysicalandintellectualdistinction,thesortoffatalitythat
parece
seemstodogthroughhistorythefalteringstepsofkings.
Itisbetternottobedifferentfromone’sfellows.
Theuglyandthestupidhavethebestofitinthisworld.
Theycansitattheireaseandgapeattheplay.
Iftheyknownothingofvictory,theyareatleastsparedtheknowledgeofdefeat.
Theyliveasweallshouldlive—undisturbed,indifferent,andwithoutdisquiet.
Theyneitherbringruinuponothers,noreverreceiveitfromalienhands.
Yourrankandwealth,Harry;
mybrains,suchastheyare—my
arte
art,whateveritmaybe
valor
worth;
DorianGray’sgoodlooks—weshallallsufferforwhatthegodshavegivenus,sufferterribly.”
“DorianGray?
Isthathisname?”
askedLordHenry,walking
através
acrossthestudiotowardsBasilHallward.
“Yes,thatishisname.
Ididn’tintendtotellittoyou.”
“Butwhynot?”
“Oh,Ican’t
explicar
explain.
WhenIlikepeopleimmensely,Inevertelltheirnamestoanyone.
Itislikesurrenderingapartofthem.
Ihavegrowntolovesecrecy.
It
parece
seemstobetheonethingthatcanmakemodernlifemysteriousormarvelloustous.
Thecommonestthingisdelightfulifoneonlyhidesit.
WhenIleavetownnowInevertellmypeoplewhereIamgoing.
IfIdid,Iwouldloseallmy
prazer
pleasure.
Itisasillyhabit,Idaresay,butsomehowit
parece
seemstobringagreatdealofromanceintoone’slife.
I
suponho
supposeyouthinkmeawfullyfoolishaboutit?”
“Notatall,”answeredLordHenry,“notatall,mydearBasil.
You
pareces
seemtoforgetthatIammarried,andtheonecharmof
casamento
marriageisthatitmakesalifeofdeception
absolutamente
absolutelynecessaryforbothparties.
Ineverknowwheremywifeis,andmywifeneverknowswhatIamdoing.
Whenwemeet—wedomeetoccasionally,whenwedineouttogether,orgodowntotheDuke’s—wetelleachotherthemostabsurdstorieswiththemostseriousfaces.
Mywifeisverygoodatit—muchbetter,infact,thanIam.
Shenevergetsconfusedoverherdates,andIalwaysdo.
Butwhenshedoesfindmeout,shemakesnorowatall.
Isometimeswishshewould;
butshemerely
ri
laughsatme.”
“Ihatethewayyoutalkaboutyourmarriedlife,Harry,”saidBasilHallward,strollingtowardsthedoorthat
levava
ledintothegarden.
“Ibelievethatyouarereallyaverygoodhusband,butthatyouarethoroughlyashamedofyourownvirtues.
Youareanextraordinaryfellow.
Youneversayamoralthing,andyouneverdoawrongthing.
Yourcynicismis
simplesmente
simplyapose.”
“Beingnaturalis
simplesmente
simplyapose,andthemostirritatingposeIknow,”criedLordHenry,
rindo
laughing;
andthetwoyoungmenwentoutintothegardentogetherandensconcedthemselvesonalongbamboo
assento
seatthatstoodintheshadeofatalllaurelbush.
Thesunlightslippedoverthepolishedleaves.
Inthegrass,whitedaisiesweretremulous.
Afterapause,LordHenrypulledouthiswatch.
“IamafraidImustbegoing,Basil,”hemurmured,“andbeforeIgo,IinsistonyouransweringaquestionIputtoyousometimeago.”
“Whatisthat?”
saidthepainter,keepinghiseyesfixedonthe
chão
ground.
“Youknowquitewell.”
“Idonot,Harry.”
“Well,Iwilltellyouwhatitis.
Iwantyouto
expliques
explaintomewhyyouwon’texhibitDorianGray’s
quadro
picture.
Iwanttherealreason.”
“Itoldyoutherealreason.”
“No,youdidnot.
Yousaiditwasbecausetherewastoomuchofyourselfinit.
Now,thatischildish.”
“Harry,”saidBasilHallward,lookinghimstraightintheface,“everyportraitthatispaintedwithfeelingisaportraitoftheartist,notofthesitter.
Thesitterismerelythe
acidente
accident,theoccasion.
Itisnothewhoisrevealedbythepainter;
itisratherthepainterwho,onthecolouredcanvas,revealshimself.
ThereasonIwillnotexhibitthis
quadro
pictureisthatIamafraidthatIhaveshowninitthe
segredo
secretofmyownsoul.”
LordHenry
riu
laughed.
“Andwhatisthat?”
heasked.
“Iwilltellyou,”saidHallward;
butanexpressionofperplexitycameoverhisface.
“Iamallexpectation,Basil,”
continuou
continuedhiscompanion,glancingathim.
“Oh,thereisreallyverylittletotell,Harry,”answeredthepainter;
“andIamafraidyouwillhardlyunderstandit.
Perhapsyouwillhardlybelieveit.”
LordHenry
sorriu
smiled,andleaningdown,pluckedapink-petalleddaisyfromthegrassandexaminedit.
“IamquitesureIshallunderstandit,”hereplied,gazingintentlyatthelittlegolden,white-feathereddisk,“andasforbelievingthings,Icanbelieveanything,providedthatitisquiteincredible.”
The
vento
windshooksomeblossomsfromthetrees,andtheheavylilac-blooms,withtheirclusteringstars,movedtoandfrointhelanguidair.
Agrasshopper
começou
begantochirrupbythe
parede
wall,andlikeabluethreadalongthindragon-flyfloatedpastonitsbrowngauzewings.
LordHenryfeltasifhecouldhearBasilHallward’sheartbeating,andwonderedwhatwascoming.
“Thestoryis
simplesmente
simplythis,”saidthepainteraftersometime.
“TwomonthsagoIwenttoacrushatLadyBrandon’s.
Youknowwepoorartistshavetoshowourselvesinsocietyfromtimetotime,justtoremindthe
público
publicthatwearenotsavages.
Withaneveningcoatandawhitetie,asyoutoldmeonce,anybody,evenastock-broker,cangainareputationforbeingcivilized.
Well,afterIhadbeenintheroomabouttenminutes,talkingtohugeoverdresseddowagersandtediousacademicians,Isuddenlybecameconsciousthatsomeonewaslookingatme.
Iturnedhalf-wayroundandsawDorianGrayforthefirsttime.
Whenoureyesmet,IfeltthatIwasgrowingpale.
Acurioussensationofterrorcameoverme.
IknewthatIhadcomefacetofacewithsomeone
cuja
whosemerepersonalitywassofascinatingthat,ifI
permitisse
allowedittodoso,itwouldabsorbmywhole
natureza
nature,mywholesoul,myvery
arte
artitself.
Ididnotwantanyexternalinfluenceinmylife.
Youknowyourself,Harry,howindependentIamby
natureza
nature.
Ihavealwaysbeenmyownmaster;
hadatleastalwaysbeenso,tillImetDorianGray.
Then—butIdon’tknowhowto
explicar
explainittoyou.
Something
parecia
seemedtotellmethatIwasonthevergeofa
terrível
terriblecrisisinmylife.
Ihadastrangefeelingthatfatehadinstoreformeexquisitejoysandexquisitesorrows.
Igrewafraidandturnedtoquittheroom.
Itwasnotconsciencethatmademedoso:
itwasasortofcowardice.
Itakenocredittomyselffortryingtoescape.”
“Conscienceandcowardicearereallythesamethings,Basil.
Conscienceisthetrade-nameofthefirm.
Thatisall.”
“Idon’tbelievethat,Harry,andIdon’tbelieveyoudoeither.
No entanto
However,whateverwasmymotive—anditmayhavebeenpride,forIusedtobeveryproud—I
certamente
certainlystruggledtothedoor.
There,ofcourse,IstumbledagainstLadyBrandon.
‘Youarenotgoingtorunawaysosoon,Mr.Hallward?’shescreamedout.
Youknowhercuriouslyshrillvoice?”
“Yes;
sheisapeacockineverythingbutbeauty,”saidLordHenry,
puxando
pullingthedaisytobitswithhislongnervousfingers.
“Icouldnotgetridofher.
Shebroughtmeuptoroyalties,andpeoplewithstarsandgarters,andelderlyladieswithgigantictiarasandparrotnoses.
Shespokeofmeasherdearestfriend.
Ihadonlymetheroncebefore,butshetookitintoherheadtolionizeme.
Ibelievesome
foto
pictureofminehadmadeagreatsuccessatthetime,atleasthadbeenchatteredaboutinthepennynewspapers,whichisthenineteenth-centurystandardofimmortality.
SuddenlyIfoundmyselffacetofacewiththeyoungman
cuja
whosepersonalityhadsostrangelystirredme.