THEPREFACE
Theartistis
o
thecreatorofbeautifulthings.Torevealart
e
andconcealtheartistisart’saim.O
Thecriticishewhopode
cantranslateintoanothermannerou
oranewmaterialhisimpressionofbeautifulthings.A
Thehighestasthelowestformofcriticismisum
amodeofautobiography.Those
que
whofinduglymeaningsinbeautifulthingsarecorruptsem
withoutbeingcharming.Thisis
uma
afault.Thosewhofindbeautifulmeaningsinbeautifulthingsare
os
thecultivated.Forthesethereis
esperança
hope.Theyaretheelecttowhombeautifulthings
significam
meanonlybeauty.Thereis
não
nosuchthingasamoralou
oranimmoralbook.Booksare
bem
wellwritten,orbadlywritten.Que
Thatisall.ThenineteenthcenturydislikeofrealismistherageofCaliban
ver
seeinghisownfaceinaglass.ThenineteenthcenturydislikeofromanticismistherageofCalibannot
ver
seeinghisownfaceinaglass.A
Themorallifeofmanformsparte
partofthesubject-matterofa
theartist,butthemoralityofartconsistsina
theperfectuseofanimperfectmedium.Nenhum
Noartistdesirestoprovenada
anything.Eventhingsthataretrue
podem
canbeproved.Noartist
tem
hasethicalsympathies.Anethicalsympathyinanartistisanunpardonablemannerismofstyle.
Nenhum
Noartistisevermorbid.O
Theartistcanexpresseverything.Thought
e
andlanguagearetotheartistinstrumentsofuma
anart.Viceandvirtuearetotheartistmaterialsfor
uma
anart.Fromthepointofviewofform,thetypeofalltheartsistheartofthemusician.
From
o
thepointofviewoffeeling,o
theactor’scraftisthetype.Toda
Allartisatoncesurfacee
andsymbol.Thosewhogobeneaththesurface
fazem
dosoattheirperil.Aqueles
Thosewhoreadthesymbolfazem
dosoattheirperil.Itisthespectator,
e
andnotlife,thatartrealmente
reallymirrors.Diversityofopinion
sobre
aboutaworkofartmostra
showsthattheworkisnova
new,complex,andvital.Whencriticsdisagree,theartistisinaccordwithhimself.
We
podemos
canforgiveamanforfazer
makingausefulthingaslongashefazer
doesnotadmireit.Theonly
desculpa
excuseformakingauselesscoisa
thingisthatoneadmiresitintensely.Toda
Allartisquiteuseless.CHAPTERI.
Thestudiowasfilledwiththerichodourofroses,
e
andwhenthelightsummerwindstirredamidstthetreesofthegarden,therecamethroughtheopenporta
doortheheavyscentofthelilac,ou
orthemoredelicateperfumeofthepink-floweringthorn.FromthecornerofthedivanofPersiansaddle-bagson
que
whichhewaslying,smoking,aswashiscustom,innumerablecigarettes,LordHenryWottonpodia
couldjustcatchthegleamofthehoney-sweete
andhoney-colouredblossomsofalaburnum,whosetremulousbranchesseemedhardlyabletobeartheburdenofabeautysoflamelikeastheirs;e
andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwerestretchedinfrente
frontofthehugewindow,producingaespécie
kindofmomentaryJapaneseeffect,e
andmakinghimthinkofthosepallid,jade-facedpaintersofTokyowho,throughthemediumofanartthatisnecessarilyimmobile,seektoconveythesenseofswiftnesse
andmotion.Thesullenmurmurofthebeesshoulderingtheir
caminho
waythroughthelongunmowngrass,ou
orcirclingwithmonotonousinsistenceroundthedustygilthornsofthestragglingwoodbine,seemedtotornar
makethestillnessmoreoppressive.ThedimroarofLondonwas
como
likethebourdonnoteofum
adistantorgan.Inthecentreofthe
sala
room,clampedtoanuprighteasel,stoodthefull-lengthportraitofajovem
youngmanofextraordinarypersonalbeauty,e
andinfrontofit,alguns
somelittledistanceaway,wassentado
sittingtheartisthimself,BasilHallward,whosesuddendisappearancealguns
someyearsagocaused,atthetime,tal
suchpublicexcitementandgaverisetosomanystrangeconjectures.Asthepainter
olhava
lookedatthegraciousandcomelyformhetinha
hadsoskilfullymirroredinhisart,um
asmileofpleasurepassedacrosshisrosto
face,andseemedabouttolingerlá
there.Buthesuddenlystartedup,
e
andclosinghiseyes,placedhisfingersuponthelids,asthoughhesoughttoimprisonwithinhisbrainalgum
somecuriousdreamfromwhichhefearedhepoderia
mightawake.“Itisyour
melhor
bestwork,Basil,thebestcoisa
thingyouhaveeverdone,”disse
saidLordHenrylanguidly.“You
deve
mustcertainlysenditnextano
yeartotheGrosvenor.TheAcademyis
muito
toolargeandtoovulgar.WheneverIhavegone
lá
there,therehavebeeneithersomanypessoas
peoplethatIhavenotbeenabletover
seethepictures,whichwasdreadful,orsomanypicturesthatIhavenotbeenabletover
seethepeople,whichwasworse.O
TheGrosvenorisreallytheonlyplace.”“Idon’tthinkIshallsenditanywhere,”he
respondeu
answered,tossinghisheadbackinthatoddmaneira
waythatusedtomakehisfriendslaughathimatOxford.“No,Iwon’tsenditanywhere.”
Lorde
LordHenryelevatedhiseyebrowse
andlookedathiminamazementatravés
throughthethinbluewreathsofsmokeque
thatcurledupinsuchfancifulwhorlsfromhisheavy,opium-taintedcigarette.“Notsenditanywhere?
My
caro
dearfellow,why?Haveyou
alguma
anyreason?Whatoddchapsyoupainters
são
are!Youdoanythinginthe
mundo
worldtogainareputation.Assoonasyou
tem
haveone,youseemtoquer
wanttothrowitaway.Itissillyofyou,forthereis
só
onlyonethinginthemundo
worldworsethanbeingtalkedabout,e
andthatisnotbeingfalado
talkedabout.Aportraitlike
este
thiswouldsetyoufarabovetodos
alltheyoungmeninEngland,e
andmaketheoldmenquitejealous,se
ifoldmenareevercapableofqualquer
anyemotion.”“Iknowyou
vai
willlaughatme,”hereplied,“butIrealmente
reallycan’texhibitit.Ihaveputtoomuchofmyselfintoit.”
Lorde
LordHenrystretchedhimselfoutonthedivane
andlaughed.“Yes,Iknewyou
ias
would;butitisquite
verdade
true,allthesame.”“Toomuchofyourselfinit!
Uponmy
palavra
word,Basil,Ididn’tknowyouweresovain;e
andIreallycan’tseeanyresemblanceentre
betweenyou,withyourruggedstrongrosto
faceandyourcoal-blackhair,e
andthisyoungAdonis,wholooksasifhewasfeito
madeoutofivoryandrose-leaves.Why,my
querido
dearBasil,heisaNarcissus,e
andyou—well,ofcourseyoutem
haveanintellectualexpressionandtudo
allthat.Butbeauty,realbeauty,ends
onde
whereanintellectualexpressionbegins.Intellectisinitself
um
amodeofexaggeration,anddestroystheharmonyofqualquer
anyface.Themomentone
senta
sitsdowntothink,onetorna
becomesallnose,orallforehead,ou
orsomethinghorrid.Lookat
os
thesuccessfulmeninanyofos
thelearnedprofessions.Howperfectlyhideousthey
são
are!Except,ofcourse,intheChurch.
Mas
ButthenintheChurchtheydon’tpensam
think.Abishopkeepson
dizer
sayingattheageofeightywhathewasdizer
toldtosaywhenhewasum
aboyofeighteen,andasum
anaturalconsequencehealwayslooksabsolutelydelightful.Yourmysterious
jovem
youngfriend,whosenameyouhavenunca
nevertoldme,butwhosepicturerealmente
reallyfascinatesme,neverthinks.I
sinto
feelquitesureofthat.Heissomebrainless
bonita
beautifulcreaturewhoshouldbesempre
alwayshereinwinterwhenwetemos
havenoflowerstolookat,e
andalwayshereinsummerquando
whenwewantsomethingtochillourintelligence.Don’tflatteryourself,Basil:
youarenotintheleast
como
likehim.”“Youdon’tunderstand
me
me,Harry,”answeredtheartist.“OfcourseIamnot
como
likehim.Iknowthatperfectly
bem
well.Indeed,Ishouldbesorrytolooklike
ele
him.Youshrugyourshoulders?
Iam
dizer
tellingyouthetruth.Thereis
uma
afatalityaboutallphysicale
andintellectualdistinction,thesortoffatalityque
thatseemstodogthroughhistorythefalteringstepsofkings.Itis
melhor
betternottobedifferentfromone’sfellows.Theugly
e
andthestupidhavethemelhor
bestofitinthismundo
world.Theycansitattheirease
e
andgapeattheplay.Se
Iftheyknownothingofvictory,theyareatmenos
leastsparedtheknowledgeofdefeat.They
viver
liveasweallshouldlive—undisturbed,indifferent,e
andwithoutdisquiet.Theyneither
trazem
bringruinuponothers,noreverreceiveitfromalienhands.Yourrank
e
andwealth,Harry;mybrains,
tal
suchastheyare—myart,o
whateveritmaybeworth;DorianGray’s
boa
goodlooks—weshallallsufferforwhatthegodshavederam
givenus,sufferterribly.”“DorianGray?
Isthathisname?”
perguntou
askedLordHenry,walkingacrossa
thestudiotowardsBasilHallward.“Yes,thatishis
nome
name.Ididn’tintendto
dizer
tellittoyou.”“Butwhynot?”
“Oh,Ican’texplain.
Quando
WhenIlikepeopleimmensely,Inunca
nevertelltheirnamestoanyone.Itis
como
likesurrenderingapartofdeles
them.Ihavegrownto
amar
lovesecrecy.Itseemstobethe
única
onethingthatcanmakemodernvida
lifemysteriousormarvelloustonós
us.Thecommonestthingisdelightful
se
ifoneonlyhidesit.Quando
WhenIleavetownnowInunca
nevertellmypeoplewhereIamvou
going.IfIdid,Iwould
perderia
loseallmypleasure.Itis
um
asillyhabit,Idaredizer
say,butsomehowitseemstotrazer
bringagreatdealofromanceintoone’svida
life.Isupposeyouthinkmeawfullyfoolish
sobre
aboutit?”“Notatall,”
respondeu
answeredLordHenry,“notatall,myquerido
dearBasil.Youseemto
esquecer
forgetthatIammarried,e
andtheonecharmofmarriageisthatittorna
makesalifeofdeceptionabsolutelynecessaryforambas
bothparties.Ineverknow
onde
wheremywifeis,andmymulher
wifeneverknowswhatIamfazer
doing.Whenwemeet—wedo
encontramos
meetoccasionally,whenwedineoutjuntos
together,orgodowntotheDuke’s—wecontamos
telleachotherthemostabsurdstoriescom
withthemostseriousfaces.My
mulher
wifeisverygoodatit—muchmelhor
better,infact,thanIam.She
nunca
nevergetsconfusedoverherdates,e
andIalwaysdo.But
quando
whenshedoesfindmeout,shefaz
makesnorowatall.I
às vezes
sometimeswishshewould;butshemerelylaughsatme.”
“I
odeio
hatethewayyoutalksobre
aboutyourmarriedlife,Harry,”disse
saidBasilHallward,strollingtowardsa
thedoorthatledintoa
thegarden.“Ibelievethatyouarereally
um
averygoodhusband,butque
thatyouarethoroughlyashamedofyourownvirtues.Youare
um
anextraordinaryfellow.Younever
dizes
sayamoralthing,andyoununca
neverdoawrongthing.Yourcynicismissimply
uma
apose.”“Beingnaturalissimply
uma
apose,andthemostirritatingposeIknow,”criedLorde
LordHenry,laughing;andthe
dois
twoyoungmenwentoutintothegardenjuntos
togetherandensconcedthemselvesonum
alongbambooseatthatficava
stoodintheshadeofum
atalllaurelbush.Thesunlightslipped
sobre
overthepolishedleaves.In
as
thegrass,whitedaisiesweretremulous.After
uma
apause,LordHenrypulledouthisrelógio
watch.“IamafraidImustbe
ir
going,Basil,”hemurmured,“andantes
beforeIgo,Iinsistonyourresponda
answeringaquestionIputtoyoualgum
sometimeago.”“Whatisthat?”
disse
saidthepainter,keepinghiseyesfixedontheground.“Youknow
muito
quitewell.”“Idonot,Harry.”
“Well,I
vou
willtellyouwhatité
is.Iwantyoutoexplaintome
porque
whyyouwon’texhibitDorianGray’spicture.I
quero
wanttherealreason.”“I
disse
toldyoutherealreason.”“No,you
fizeste
didnot.Yousaiditwas
porque
becausetherewastoomuchofyourselfinque
it.Now,thatischildish.”
“Harry,”
disse
saidBasilHallward,lookinghimstraightino
theface,“everyportraitthatispaintedcom
withfeelingisaportraitofo
theartist,notofthesitter.Thesitterismerelytheaccident,theoccasion.
Itisnothewhoisrevealedbythepainter;
itisrather
o
thepainterwho,onthecolouredcanvas,revealshimself.The
razão
reasonIwillnotexhibiteste
thispictureisthatIammedo
afraidthatIhaveshowninitthesecretofmyownsoul.”Lorde
LordHenrylaughed.“Andwhatisthat?”
he
perguntou
asked.“Iwilltellyou,”saidHallward;
mas
butanexpressionofperplexityveio
cameoverhisface.“Iam
toda
allexpectation,Basil,”continuedhiscompanion,glancingatele
him.“Oh,thereisreallyvery
pouco
littletotell,Harry,”answeredthepainter;“andIam
receio
afraidyouwillhardlyunderstandque
it.Perhapsyouwillhardly
acredites
believeit.”LordHenrysmiled,
e
andleaningdown,pluckedapink-petalleddaisyfromthegrasse
andexaminedit.“Iam
bastante
quitesureIshallunderstandit,”hereplied,gazingintentlyatthepequeno
littlegolden,white-feathereddisk,“andasforacreditar
believingthings,Icanbelievequalquer coisa
anything,providedthatitisbastante
quiteincredible.”Thewindshook
algumas
someblossomsfromthetrees,e
andtheheavylilac-blooms,withtheirclusteringstars,moviam
movedtoandfrointhelanguidar
air.Agrasshopperbegantochirrupbythewall,
e
andlikeabluethreadalongthindragon-flyfloatedpastonitsbrowngauzewings.Lorde
LordHenryfeltasifhepudesse
couldhearBasilHallward’sheartbater
beating,andwonderedwhatwasvindo
coming.“Thestoryissimplythis,”
disse
saidthepainteraftersometempo
time.“TwomonthsagoIwentto
uma
acrushatLadyBrandon’s.You
sabes
knowwepoorartistshavetomostrar
showourselvesinsocietyfromvez
timetotime,justtoremindthepublicque
thatwearenotsavages.Com
Withaneveningcoatandawhitetie,asyoudisse
toldmeonce,anybody,evenastock-broker,pode
cangainareputationforbeingcivilized.Bem
Well,afterIhadbeeninthesala
roomabouttenminutes,talkingtohugeoverdresseddowagerse
andtediousacademicians,Isuddenlyfiquei
becameconsciousthatsomeonewasolhando
lookingatme.Iturnedhalf-wayround
e
andsawDorianGrayfora
thefirsttime.Whenoureyes
encontraram
met,IfeltthatIwasgrowingpale.Uma
Acurioussensationofterrorcameovermim
me.IknewthatI
tinha
hadcomefacetofacecom
withsomeonewhosemerepersonalitywassofascinatingthat,se
ifIallowedittofizesse
doso,itwouldabsorbmytoda
wholenature,mywholesoul,myveryartitself.Ididnot
queria
wantanyexternalinfluenceinmyvida
life.Youknowyourself,Harry,
quão
howindependentIambynature.Ihave
sempre
alwaysbeenmyownmaster;hadat
menos
leastalwaysbeenso,tillIconhecer
metDorianGray.Then—butIdon’t
sei
knowhowtoexplainittoyou.Algo
Somethingseemedtotellmeque
thatIwasonthevergeofuma
aterriblecrisisinmyvida
life.Ihadastrangefeeling
que
thatfatehadinstoreformeexquisitejoyse
andexquisitesorrows.Igrewafraid
e
andturnedtoquitthesala
room.Itwasnotconsciencethat
fez
mademedoso:itwas
uma
asortofcowardice.Itake
não
nocredittomyselffortentado
tryingtoescape.”“Conscienceandcowardiceare
realmente
reallythesamethings,Basil.Conscienceis
o
thetrade-nameofthefirm.Isso
Thatisall.”“Idon’t
acredito
believethat,Harry,andIdon’tacredito
believeyoudoeither.However,
qualquer
whateverwasmymotive—anditpode
mayhavebeenpride,forIusedtobemuito
veryproud—Icertainlystruggledtotheporta
door.There,ofcourse,IstumbledagainstLadyBrandon.
‘Youarenot
vai
goingtorunawaysocedo
soon,Mr.Hallward?’shescreamedout.You
conhece
knowhercuriouslyshrillvoice?”“Yes;
sheis
um
apeacockineverythingbutbeauty,”disse
saidLordHenry,pullingthedaisytobitscom
withhislongnervousfingers.“Icouldnot
consegui
getridofher.Shebroughtmeuptoroyalties,
e
andpeoplewithstarsandgarters,e
andelderlyladieswithgigantictiarase
andparrotnoses.Shespokeofmeasherdearestfriend.
I
tinha
hadonlymetheroncebefore,mas
butshetookitintoherheadtolionizemim
me.Ibelievesomepictureofminehadmadea
grande
greatsuccessatthetime,atmenos
leasthadbeenchatteredaboutino
thepennynewspapers,whichiso
thenineteenth-centurystandardofimmortality.SuddenlyI
encontrei
foundmyselffacetofacecom
withtheyoungmanwhosepersonalitytinha
hadsostrangelystirredme.