THEPREFACE
Theartististhecreatorofbeautifulthings.
Torevealart
i
andconcealtheartistisart’saim.Ten
Thecriticishewhomoże
cantranslateintoanothermannerlub
oranewmaterialhisimpressionofbeautifulthings.Thehighestasthelowestformofcriticismisamodeofautobiography.
Those
którzy
whofinduglymeaningsinbeautifulthingsarecorruptbez
withoutbeingcharming.Thisisafault.
Those
którzy
whofindbeautifulmeaningsinpiękne
beautifulthingsarethecultivated.Forthesethereishope.
Theyaretheelecttowhom
piękne
beautifulthingsmeanonlybeauty.Thereisnosuchthingasamoral
lub
oranimmoralbook.Booksare
dobrze
wellwritten,orbadlywritten.Thatisall.
ThenineteenthcenturydislikeofrealismistherageofCalibanseeinghisownfaceinaglass.
ThenineteenthcenturydislikeofromanticismistherageofCalibannot
widział
seeinghisownfaceinaglass.Themorallifeofmanformspartofthesubject-matteroftheartist,
ale
butthemoralityofartconsistsintheperfectuseofanimperfectmedium.Nie
Noartistdesirestoproveniczego
anything.Eventhingsthataretrue
mogą
canbeproved.Noartist
ma
hasethicalsympathies.Anethicalsympathyinanartistisanunpardonablemannerismofstyle.
Nie
Noartistisevermorbid.Theartist
może
canexpresseverything.Thoughtandlanguagearetotheartistinstrumentsofanart.
Vice
i
andvirtuearetotheartistmaterialsforanart.Fromthepointofviewofform,thetypeofalltheartsistheartofthemusician.
Fromthepointofviewoffeeling,theactor’scraftisthetype.
Allartisatoncesurface
i
andsymbol.Thosewhogobeneaththesurface
robią
dosoattheirperil.Those
którzy
whoreadthesymboldosoattheirperil.Itisthespectator,
a
andnotlife,thatartreallymirrors.Diversityofopinion
temat
aboutaworkofartshowsże
thattheworkisnew,complex,i
andvital.Whencriticsdisagree,theartistisinaccord
z
withhimself.Wecanforgiveamanformakingausefulthingaslongashedoesnotadmireit.
Theonlyexcuseformakingauselessthingis
że
thatoneadmiresitintensely.Allartis
zupełnie
quiteuseless.CHAPTERI.
Thestudiowasfilledwiththerichodourofroses,
a
andwhenthelightsummerwindstirredamidstthetreesofthegarden,therecameprzez
throughtheopendoortheheavyscentofthelilac,lub
orthemoredelicateperfumeofthepink-floweringthorn.FromthecornerofthedivanofPersiansaddle-bagsonwhichhewas
leżał
lying,smoking,aswashiscustom,innumerablecigarettes,LordHenryWottoncouldpo prostu
justcatchthegleamofthehoney-sweeti
andhoney-colouredblossomsofalaburnum,whosetremulousbranchesseemedhardlystanie
abletobeartheburdenofabeautysoflamelikeastheirs;i
andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwerestretchedinfrontofthehugewindow,producingakindofmomentaryJapaneseeffect,i
andmakinghimthinkoftych
thosepallid,jade-facedpaintersofTokyoktórzy
who,throughthemediumofanartthatisnecessarilyimmobile,seektoconveythesenseofswiftnessi
andmotion.Thesullenmurmurofthebeesshoulderingtheirwaythroughthelongunmowngrass,
lub
orcirclingwithmonotonousinsistenceroundthedustygilthornsofthestragglingwoodbine,seemedtomakethestillnessbardziej
moreoppressive.ThedimroarofLondonwas
jak
likethebourdonnoteofadistantorgan.Inthecentreoftheroom,clampedtoanuprighteasel,
stał
stoodthefull-lengthportraitofayoungmanofextraordinarypersonalbeauty,andinfrontofit,kilka
somelittledistanceaway,wassiedział
sittingtheartisthimself,BasilHallward,whosesuddendisappearancekilka
someyearsagocaused,attheczasie
time,suchpublicexcitementandgaverisetosomanystrangeconjectures.Asthepainter
spojrzał
lookedatthegraciousandcomelyformhehadsoskilfullymirroredinhisart,asmileofpleasurepassedacrosshisface,i
andseemedabouttolingertam
there.Buthesuddenlystarted
się
up,andclosinghiseyes,umieścił
placedhisfingersuponthelids,asthoughhesoughttoimprisonwithinhisbrainsomecurioussen
dreamfromwhichhefearedhemightawake.“Itisyourbest
praca
work,Basil,thebestthingyouhaveeverdone,”powiedział
saidLordHenrylanguidly.“Youmustcertainly
wysłać
senditnextyeartotheGrosvenor.TheAcademyis
zbyt
toolargeandtoovulgar.WheneverIhavegonethere,therehavebeeneithersomany
ludzi
peoplethatIhavenotbeenabletoseethepictures,co
whichwasdreadful,orsomanypicturesże
thatIhavenotbeenabletoseetheludzi
people,whichwasworse.TheGrosvenoris
naprawdę
reallytheonlyplace.”“Idon’tthinkIshallsenditanywhere,”he
odpowiedział
answered,tossinghisheadbackinthatoddsposób
waythatusedtomakehisfriendslaughathimatOxford.“No,Iwon’tsenditanywhere.”
LordHenryelevatedhiseyebrows
i
andlookedathiminamazementprzez
throughthethinbluewreathsofsmokektóre
thatcurledupinsuchfancifulwhorlsfromhisheavy,opium-taintedcigarette.“Not
wysłać
senditanywhere?Mydearfellow,
dlaczego
why?Haveyouanyreason?
Whatoddchapsyoupaintersare!
You
zrobisz
doanythingintheworldtogainareputation.Assoonasyou
masz
haveone,youseemtochcesz
wanttothrowitaway.Itissillyofyou,for
nie
thereisonlyonethingintheświecie
worldworsethanbeingtalkedo
about,andthatisnotbeingtalkedo
about.Aportraitlikethiswouldsetyou
daleko
farabovealltheyoungmeninEngland,i
andmaketheoldmenquitejealous,jeśli
ifoldmenareevercapableofanyemotion.”“Iknowyouwilllaughatme,”hereplied,“butI
naprawdę
reallycan’texhibitit.Ihaveput
za
toomuchofmyselfintoit.”LordHenrystretchedhimself
się
outonthedivanandlaughed.“Yes,I
wiedziałem
knewyouwould;butitisquite
prawda
true,allthesame.”“Too
dużo
muchofyourselfinit!Uponmy
słowo
word,Basil,Ididn’tknowyouweresovain;andI
naprawdę
reallycan’tseeanyresemblancemiędzy
betweenyou,withyourruggedstrongfaceandyourcoal-blackhair,andtym
thisyoungAdonis,wholooksasifhewasmadeoutofivoryandrose-leaves.Why,my
drogi
dearBasil,heisaNarcissus,andyou—well,ofoczywiście
courseyouhaveanintellectualexpressionandallthat.Ale
Butbeauty,realbeauty,endsgdzie
whereanintellectualexpressionbegins.Intellectisinitselfamodeofexaggeration,
i
anddestroystheharmonyofanytwarzy
face.Themomentonesitsdownto
myśleć
think,onebecomesallnose,lub
orallforehead,orsomethinghorrid.Spójrz
Lookatthesuccessfulmenindowolnym
anyofthelearnedprofessions.Howperfectlyhideousthey
są
are!Except,ofcourse,intheChurch.
Ale
ButthenintheChurchtheydon’tmyślą
think.Abishopkeepsonsayingattheageofeightywhathewastoldtosay
gdy
whenhewasaboyofeighteen,i
andasanaturalconsequencehezawsze
alwayslooksabsolutelydelightful.Yourmysteriousyoung
przyjaciel
friend,whosenameyouhavenigdy nie
nevertoldme,butwhosepicturenaprawdę
reallyfascinatesme,neverthinks.Ifeel
całkiem
quitesureofthat.Heis
jakieś
somebrainlessbeautifulcreaturewhoshouldbezawsze
alwayshereinwinterwhenwemamy
havenoflowerstolookat,i
andalwayshereinsummerkiedy
whenwewantsomethingtochillourintelligence.Don’tflatteryourself,Basil:
youarenotintheleast
jak
likehim.”“Youdon’tunderstand
mnie
me,Harry,”answeredtheartist.“Of
oczywiście
courseIamnotlikehim.I
wiem
knowthatperfectlywell.Indeed,Ishouldbe
przykro
sorrytolooklikehim.Youshrugyourshoulders?
Iamtellingyouthetruth.
Istnieje
Thereisafatalityaboutallphysicali
andintellectualdistinction,thesortoffatalityktóra
thatseemstodogthroughhistorythefalteringstepsofkings.Itis
lepiej
betternottobedifferentfromone’sfellows.Theugly
i
andthestupidhavethebestofitintym
thisworld.Theycansitattheirease
i
andgapeattheplay.Jeśli
Iftheyknownothingofvictory,theyareatleastsparedtheknowledgeofdefeat.They
żyć
liveasweallshouldlive—undisturbed,indifferent,i
andwithoutdisquiet.Theyneitherbringruinuponothers,noreverreceiveitfromalienhands.
Yourrank
i
andwealth,Harry;mybrains,suchastheyare—myart,whateveritmaybeworth;
DorianGray’s
dobry
goodlooks—weshallallsufferforwhatthegodshavedały
givenus,sufferterribly.”“DorianGray?
Isthathisname?”
zapytał
askedLordHenry,walkingacrossthestudiotowardsBasilHallward.“Yes,thatishisname.
Ididn’tintendtotellittoyou.”
“But
dlaczego
whynot?”“Oh,Ican’texplain.
Kiedy
WhenIlikepeopleimmensely,Inevertelltheirnamestoanyone.Itis
jak
likesurrenderingapartofnich
them.Ihavegrowntolovesecrecy.
Itseemstobetheone
rzeczą
thingthatcanmakemodernlifemysteriouslub
ormarvelloustous.Thecommonestthingisdelightful
jeśli
ifoneonlyhidesit.Kiedy
WhenIleavetownnowInigdy nie
nevertellmypeoplewhereIamgoing.IfI
zrobił
did,Iwouldloseallmypleasure.Itisasillyhabit,Idare
powiedzieć
say,butsomehowitseemstobringagreatdealofromanceintoone’sżycia
life.Isupposeyouthinkmeawfullyfoolishaboutit?”
“Notatall,”
odpowiedział
answeredLordHenry,“notatall,mydrogi
dearBasil.Youseemtoforget
że
thatIammarried,andtheonecharmofmarriageisże
thatitmakesalifeofdeceptionabsolutelynecessaryforobu
bothparties.Ineverknow
gdzie
wheremywifeis,andmyżona
wifeneverknowswhatIamrobię
doing.Whenwemeet—wedomeetoccasionally,
kiedy
whenwedineouttogether,lub
orgodowntotheDuke’s—wetelleachotherthenajbardziej
mostabsurdstorieswiththenajbardziej
mostseriousfaces.Mywifeis
bardzo
verygoodatit—muchbetter,inrzeczywistości
fact,thanIam.She
nigdy nie
nevergetsconfusedoverherdates,a
andIalwaysdo.But
kiedy
whenshedoesfindmeout,shemakesnie
norowatall.I
czasami
sometimeswishshewould;butshemerelylaughsatme.”
“Ihatethewayyou
mówisz
talkaboutyourmarriedlife,Harry,”powiedział
saidBasilHallward,strollingtowardsthedrzwi
doorthatledintothegarden.“I
wierzę
believethatyouarereallyaverygoodmężem
husband,butthatyouarethoroughlyashamedofyourownvirtues.Youareanextraordinaryfellow.
You
nigdy nie
neversayamoralthing,i
andyouneverdoawrongthing.Yourcynicismissimplyapose.”
“Beingnaturalissimplyapose,
a
andthemostirritatingposeIknow,”criedLordHenry,laughing;i
andthetwoyoungmenwentoutintothegardenrazem
togetherandensconcedthemselvesonalongbambooseatktóre
thatstoodintheshadeofatalllaurelbush.Thesunlightslipped
nad
overthepolishedleaves.Inthegrass,whitedaisiesweretremulous.
Po
Afterapause,LordHenrypulledouthiszegarek
watch.“IamafraidImustbe
pójdę
going,Basil,”hemurmured,“andzanim
beforeIgo,Iinsistonyourodpowiedział
answeringaquestionIputtoyousomeczas
timeago.”“Whatisthat?”
powiedział
saidthepainter,keepinghiseyesfixedontheground.“You
wiesz
knowquitewell.”“Idonot,Harry.”
“Well,Iwill
powiem
tellyouwhatitis.I
chcesz
wantyoutoexplaintomedlaczego
whyyouwon’texhibitDorianGray’spicture.Iwanttherealreason.”
“I
powiedziałem
toldyoutherealreason.”“No,you
zrobiłeś
didnot.Yousaiditwas
dlatego
becausetherewastoomuchofyourselfinto
it.Now,thatischildish.”
“Harry,”
powiedział
saidBasilHallward,lookinghimstraightintheface,“everyportraitktóry
thatispaintedwithfeelingisaportraitoftheartist,notofthesitter.Thesitterismerelytheaccident,theoccasion.
Itisnothewhoisrevealedbythepainter;
itisratherthepainter
który
who,onthecolouredcanvas,revealshimself.ThereasonIwillnotexhibit
tego
thispictureisthatIamafraidże
thatIhaveshowninitthesecretofmyownsoul.”LordHenrylaughed.
“Andwhatisthat?”
he
zapytał
asked.“Iwilltellyou,”
powiedział
saidHallward;butanexpressionofperplexitycameoverhis
twarzy
face.“Iamallexpectation,Basil,”continuedhiscompanion,glancingat
niego
him.“Oh,thereisreallyvery
mało
littletotell,Harry,”answeredthepainter;“andIamafraidyouwillhardly
zrozumiesz
understandit.Perhapsyouwillhardlybelieveit.”
LordHenrysmiled,
i
andleaningdown,pluckedapink-petalleddaisyfromthegrassi
andexaminedit.“Iam
całkiem
quitesureIshallunderstandit,”hereplied,gazingintentlyatthemały
littlegolden,white-feathereddisk,“andasforbelievingthings,Icanwierzyć
believeanything,providedthatitiscałkiem
quiteincredible.”Thewindshooksomeblossomsfromthetrees,andtheheavylilac-blooms,withtheirclusteringstars,movedtoandfrointhelanguidair.
Agrasshopperbegantochirrupbythewall,
a
andlikeabluethreadadługa
longthindragon-flyfloatedpastonitsbrowngauzewings.LordHenry
czuł
feltasifhecouldusłyszeć
hearBasilHallward’sheartbeating,i
andwonderedwhatwascoming.“Thestoryissimplythis,”
powiedział
saidthepainteraftersomeczasie
time.“TwomonthsagoIwenttoacrushatLadyBrandon’s.
You
wiesz
knowwepoorartistshavetoshowourselvesinsocietyfromczasu
timetotime,justtoremindthepublicże
thatwearenotsavages.Z
Withaneveningcoatandawhitetie,asyoupowiedziałeś
toldmeonce,anybody,evenastock-broker,może
cangainareputationforbeingcivilized.Well,
po
afterIhadbeenintheroomabouttenminutes,talkingtohugeoverdresseddowagersi
andtediousacademicians,Isuddenlybecameconsciousże
thatsomeonewaslookingatmnie
me.Iturnedhalf-wayround
i
andsawDorianGrayforthepo raz pierwszy
firsttime.Whenoureyes
spotkały
met,IfeltthatIwasgrowingpale.Acurioussensationofterrorcameover
mi
me.IknewthatIhadcomefacetoface
z
withsomeonewhosemerepersonalitywassofascinatingże
that,ifIallowedittodoso,itwouldabsorbmycałą
wholenature,mywholesoul,myveryartitself.Ididnotwant
żadnego
anyexternalinfluenceinmylife.You
wiesz
knowyourself,Harry,howindependentIambynature.Ihave
zawsze
alwaysbeenmyownmaster;hadatleast
zawsze
alwaysbeenso,tillImetDorianGray.Then—butIdon’t
wiem
knowhowtoexplainittoyou.Coś
Somethingseemedtotellmeże
thatIwasonthevergeofaterriblecrisisinmylife.I
miałem
hadastrangefeelingthatfatemiałem
hadinstoreformeexquisitejoysi
andexquisitesorrows.Igrewafraid
i
andturnedtoquittheroom.Itwasnotconsciencethatmademedoso:
itwasasortofcowardice.
Itake
nie
nocredittomyselffortryingtoescape.”“Conscience
i
andcowardicearereallythesamethings,Basil.Conscienceisthetrade-nameofthefirm.
Thatisall.”
“Idon’tbelievethat,Harry,
i
andIdon’tbelieveyoudoeither.However,
niezależnie
whateverwasmymotive—anditmoże
mayhavebeenpride,forIusedtobebardzo
veryproud—Icertainlystruggledtothedrzwi
door.There,ofcourse,IstumbledagainstLadyBrandon.
‘Youarenotgoingtorunawayso
szybko
soon,Mr.Hallward?’shescreamedout.You
znasz
knowhercuriouslyshrillvoice?”“Yes;
sheisapeacockineverythingbutbeauty,”
powiedział
saidLordHenry,pullingthedaisytobitsz
withhislongnervousfingers.“Icouldnotgetridof
jej
her.Shebroughtmeuptoroyalties,
i
andpeoplewithstarsandgarters,i
andelderlyladieswithgigantictiarasi
andparrotnoses.Shespokeofmeasherdearestfriend.
Ihad
tylko
onlymetheroncebefore,ale
butshetookitintohergłowę
headtolionizeme.I
wierzę
believesomepictureofminehadmadeawielki
greatsuccessatthetime,atleasthadbeenchatteredaboutinthepennynewspapers,które
whichisthenineteenth-centurystandardofimmortality.SuddenlyI
znalazłem
foundmyselffacetofacez
withtheyoungmanwhosepersonalityhadsostrangelystirredmnie
me.