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The Picture of Dorian Gray | Gradually Hardening Italian B1 Books

The Picture of Dorian Gray | Gradually Hardening Italian B1 Books

Discover the advantages of this innovative translation method, designed to cater to your learning needs. You can select your preferred difficulty level, ensuring a well-balanced challenge that isn't too overwhelming. This technique sharpens your comprehension skills by encouraging you to derive meaning from context, minimizing the need for direct translations. While some words are purposefully obscured to promote contextual guessing, looking up unclear terms is always an option. With this method, language learning becomes both accessible and enjoyable, blending challenge with support. Explore translated classics and experience the excitement of learning through literature.

THEPREFACE
Theartististhecreatorofbeautifulthings.
Torevealartandconcealtheartistisart’s
scopo
aim.
Thecriticishewhocantranslateintoanothermanneroranew
materiale
materialhisimpressionofbeautifulthings.
Thehighestasthelowestformofcriticismisamodeofautobiography.
Thosewhofinduglymeaningsinbeautifulthingsarecorruptwithoutbeingcharming.
Thisisafault.
Thosewhofindbeautifulmeaningsinbeautifulthingsarethecultivated.
Forthesethereishope.
Theyaretheelecttowhombeautifulthingsmeanonlybeauty.
Thereisnosuchthingasamoraloranimmoralbook.
Booksarewellwritten,or
male
badlywritten.
Thatisall.
Thenineteenth
secolo
centurydislikeofrealismistherageofCalibanseeinghisownfaceinaglass.
Thenineteenth
secolo
centurydislikeofromanticismistherageofCalibannotseeinghisownfaceinaglass.
Themorallifeofmanformspartofthesubject-matteroftheartist,butthemoralityofartconsistsintheperfectuseofanimperfectmedium.
No
artista
artistdesirestoproveanything.
Eventhingsthataretruecanbeproved.
No
artista
artisthasethicalsympathies.
Anethicalsympathyinan
artista
artistisanunpardonablemannerismof
stile
style.
Noartistisevermorbid.
Theartistcan
esprimere
expresseverything.
Thoughtandlanguagearetotheartistinstrumentsofanart.
Vizio
Viceandvirtuearetotheartistmaterialsforanart.
Fromthepointof
vista
viewofform,thetypeofalltheartsistheartofthemusician.
Fromthepointof
vista
viewoffeeling,theactor’scraftisthetype.
Allartisatonce
superficie
surfaceandsymbol.
Thosewhogobeneaththe
superficie
surfacedosoattheirperil.
Thosewhoreadthesymboldosoattheirperil.
Itisthespectator,andnotlife,thatartreallymirrors.
Diversityofopinionaboutaworkofartshowsthattheworkisnew,complex,andvital.
Whencriticsdisagree,theartistisinaccordwithhimself.
Wecanforgiveamanformakinga
utile
usefulthingaslongashedoesnotadmireit.
Theonlyexcuseformakinga
inutile
uselessthingisthatoneadmiresitintensely.
Allartisquite
inutile
useless.
CHAPTERI.
Thestudiowasfilledwiththerichodourofroses,andwhenthelightsummerwindstirredamidstthetreesofthe
giardino
garden,therecamethroughtheopendoortheheavyscentofthelilac,orthemoredelicateperfumeofthepink-floweringthorn.
FromthecornerofthedivanofPersiansaddle-bagsonwhichhewaslying,smoking,aswashiscustom,innumerablecigarettes,LordHenryWottoncouldjustcatchthegleamofthehoney-sweetandhoney-colouredblossomsofalaburnum,whosetremulousbranchesseemedhardlyabletobeartheburdenofabeautysoflamelikeastheirs;
andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwerestretchedinfrontofthehugewindow,producingakindofmomentaryJapanese
effetto
effect,andmakinghimthinkofthosepallid,jade-facedpaintersofTokyowho,throughthemediumofanartthatisnecessarilyimmobile,
cercano
seektoconveythesenseofswiftnessandmotion.
Thesullenmurmurofthebeesshoulderingtheirwaythroughthelongunmown
erba
grass,orcirclingwithmonotonousinsistenceroundthedustygilthornsofthestragglingwoodbine,seemedtomakethestillnessmoreoppressive.
ThedimroarofLondonwaslikethebourdon
nota
noteofadistantorgan.
Inthecentreoftheroom,clampedtoanuprighteasel,stoodthefull-lengthportraitofayoungmanofextraordinarypersonalbeauty,andinfrontofit,somelittledistanceaway,wassittingtheartisthimself,BasilHallward,whosesuddendisappearancesomeyearsagocaused,atthetime,suchpublicexcitementandgaverisetosomanystrangeconjectures.
Asthepainterlookedatthegraciousandcomelyformhehadsoskilfullymirroredinhisart,asmileofpleasurepassedacrosshisface,andseemedabouttolingerthere.
Buthesuddenlystartedup,andclosinghiseyes,placedhisfingersuponthelids,asthoughhe
cercato
soughttoimprisonwithinhisbrainsome
curioso
curiousdreamfromwhichhefearedhemightawake.
“Itisyourbestwork,Basil,thebestthingyouhaveeverdone,”saidLordHenrylanguidly.
“YoumustcertainlysenditnextyeartotheGrosvenor.
TheAcademyistoolargeandtoovulgar.
WheneverIhavegonethere,therehavebeeneithersomanypeoplethatIhavenotbeenabletoseethepictures,whichwasdreadful,orsomanypicturesthatIhavenotbeenabletoseethepeople,whichwasworse.
TheGrosvenorisreallytheonlyplace.”
“Idon’tthinkIshallsenditanywhere,”heanswered,tossinghisheadbackinthat
strano
oddwaythatusedtomakehisfriendslaughathimatOxford.
“No,Iwon’tsenditanywhere.”
LordHenryelevatedhiseyebrowsandlookedathiminamazementthroughthethinbluewreathsofsmokethatcurledupinsuchfancifulwhorlsfromhisheavy,opium-tainted
sigaretta
cigarette.
“Notsenditanywhere?
Mydearfellow,why?
Haveyouanyreason?
Whatoddchapsyoupaintersare!
Youdoanythingintheworldtogaina
reputazione
reputation.
Assoonasyouhaveone,youseemtowanttothrowitaway.
Itissillyofyou,forthereisonlyonethingintheworldworsethanbeingtalkedabout,andthatisnotbeingtalkedabout.
AportraitlikethiswouldsetyoufarabovealltheyoungmeninEngland,andmaketheoldmenquitejealous,ifoldmenareevercapableofanyemotion.”
“Iknowyouwilllaughatme,”hereplied,“butIreallycan’texhibitit.
Ihaveputtoomuchofmyselfintoit.”
LordHenrystretchedhimselfoutonthedivanandlaughed.
“Yes,Iknewyouwould;
butitisquitetrue,allthesame.”
“Toomuchofyourselfinit!
Uponmyword,Basil,Ididn’tknowyouweresovain;
andIreallycan’tseeanyresemblancebetweenyou,withyourruggedstrongfaceandyourcoal-blackhair,andthisyoungAdonis,wholooksasifhewasmadeoutofivoryandrose-leaves.
Why,mydearBasil,heisaNarcissus,andyou—well,ofcourseyouhaveanintellectualexpressionandallthat.
Butbeauty,realbeauty,endswhereanintellectualexpressionbegins.
Intellectisinitselfamodeofexaggeration,and
distrugge
destroystheharmonyofanyface.
Themomentonesitsdowntothink,onebecomesallnose,orallforehead,orsomethinghorrid.
Lookatthe
di successo
successfulmeninanyofthelearnedprofessions.
How
perfettamente
perfectlyhideoustheyare!
Except,ofcourse,intheChurch.
ButthenintheChurchtheydon’tthink.
Abishopkeepsonsayingattheageofeightywhathewastoldtosaywhenhewasaboyofeighteen,andasa
naturale
naturalconsequencehealwayslooksabsolutelydelightful.
Yourmysteriousyoungfriend,whosenameyouhavenevertoldme,butwhosepicturereallyfascinatesme,neverthinks.
Ifeelquitesureofthat.
Heissomebrainlessbeautiful
creatura
creaturewhoshouldbealwaysherein
inverno
winterwhenwehavenoflowerstolookat,andalwayshereinsummerwhenwewantsomethingtochillour
intelligenza
intelligence.
Don’tflatteryourself,Basil:
youarenotintheleastlikehim.”
“Youdon’tunderstandme,Harry,”answeredtheartist.
“OfcourseIamnotlikehim.
Iknowthat
perfettamente
perfectlywell.
Indeed,Ishouldbesorrytolooklikehim.
Youshrugyourshoulders?
Iamtellingyouthetruth.
Thereisafatalityaboutallphysicalandintellectualdistinction,thesortoffatalitythatseemstodogthroughhistorythefalteringstepsofkings.
Itisbetternottobedifferentfromone’sfellows.
Theuglyandthestupidhavethebestofitinthisworld.
Theycansitattheireaseandgapeattheplay.
Iftheyknownothingof
vittoria
victory,theyareatleastsparedthe
conoscenza
knowledgeofdefeat.
Theyliveasweallshouldlive—undisturbed,indifferent,andwithoutdisquiet.
Theyneitherbring
rovina
ruinuponothers,norever
ricevono
receiveitfromalienhands.
Yourrankandwealth,Harry;
mybrains,suchastheyare—myart,whateveritmaybeworth;
DorianGray’sgoodlooks—weshallall
soffriremo
sufferforwhatthegodshavegivenus,
soffriremo
sufferterribly.”
“DorianGray?
Isthathisname?”
askedLordHenry,walkingacrossthe
studio
studiotowardsBasilHallward.
“Yes,thatishisname.
Ididn’tintendtotellittoyou.”
“Butwhynot?”
“Oh,Ican’texplain.
WhenIlikepeopleimmensely,Inevertelltheirnamestoanyone.
Itislikesurrenderingapartofthem.
Ihavegrowntolovesecrecy.
Itseemstobetheonethingthatcanmakemodernlifemysteriousormarvelloustous.
Thecommonestthingisdelightfulifoneonlyhidesit.
WhenIleavetownnowInevertellmypeoplewhereIamgoing.
IfIdid,Iwouldloseallmypleasure.
Itisasillyhabit,Idaresay,but
in qualche modo
somehowitseemstobringagreatdealofromanceintoone’slife.
Isupposeyouthinkmeawfullyfoolishaboutit?”
“Notatall,”answeredLordHenry,“notatall,mydearBasil.
YouseemtoforgetthatIammarried,andtheonecharmofmarriageisthatitmakesalifeofdeceptionabsolutelynecessaryforbothparties.
Ineverknowwheremywifeis,andmywifeneverknowswhatIamdoing.
Whenwemeet—wedomeetoccasionally,whenwedineouttogether,orgodowntotheDuke’s—wetelleachotherthemostabsurdstorieswiththemostseriousfaces.
Mywifeisverygoodatit—muchbetter,infact,thanIam.
Shenevergetsconfusedoverherdates,andIalwaysdo.
Butwhenshedoesfindmeout,shemakesnorowatall.
Isometimeswishshewould;
butshemerelylaughsatme.”
“Ihatethewayyoutalkaboutyourmarriedlife,Harry,”saidBasilHallward,strolling
verso
towardsthedoorthatledintothe
giardino
garden.
“Ibelievethatyouarereallyaverygoodhusband,butthatyouarethoroughlyashamedofyourownvirtues.
Youarean
straordinario
extraordinaryfellow.
Youneversayamoralthing,andyouneverdoawrongthing.
Yourcynicismissimplyapose.”
“Beingnaturalissimplyapose,andthemostirritatingposeIknow,”criedLordHenry,laughing;
andthetwoyoungmenwentoutintothe
giardino
gardentogetherandensconcedthemselvesonalongbambooseatthatstoodintheshadeofa
alto
talllaurelbush.
Thesunlight
scivolava
slippedoverthepolishedleaves.
Inthegrass,whitedaisiesweretremulous.
Afterapause,LordHenrypulledouthiswatch.
“IamafraidImustbegoing,Basil,”hemurmured,“andbeforeIgo,IinsistonyouransweringaquestionIputtoyousometimeago.”
“Whatisthat?”
saidthepainter,keepinghiseyesfixedontheground.
“Youknowquitewell.”
“Idonot,Harry.”
“Well,Iwilltellyouwhatitis.
Iwantyoutoexplaintomewhyyouwon’texhibitDorianGray’spicture.
Iwanttherealreason.”
“Itoldyoutherealreason.”
“No,youdidnot.
Yousaiditwasbecausetherewastoomuchofyourselfinit.
Now,thatischildish.”
“Harry,”saidBasilHallward,lookinghimstraightintheface,“everyportraitthatis
dipinto
paintedwithfeelingisaportraitoftheartist,notofthesitter.
Thesitterismerelytheaccident,theoccasion.
Itisnothewhoisrevealedbythepainter;
itisratherthepainterwho,onthecolouredcanvas,revealshimself.
ThereasonIwillnotexhibitthispictureisthatIamafraidthatIhave
mostrato
showninitthesecretofmyownsoul.”
LordHenrylaughed.
“Andwhatisthat?”
heasked.
“Iwilltellyou,”saidHallward;
butanexpressionofperplexitycameoverhisface.
“Iamallexpectation,Basil,”continuedhiscompanion,glancingathim.
“Oh,thereisreallyverylittletotell,Harry,”answeredthepainter;
“andIamafraidyouwillhardlyunderstandit.
Perhapsyouwillhardlybelieveit.”
LordHenrysmiled,andleaningdown,pluckedapink-petalleddaisyfromthegrassandexaminedit.
“IamquitesureIshallunderstandit,”hereplied,gazingintentlyatthelittle
dorato
golden,white-feathereddisk,“andasforbelievingthings,Icanbelieveanything,providedthatitisquiteincredible.”
Thewindshooksomeblossomsfromthetrees,andtheheavylilac-blooms,withtheirclusteringstars,movedtoandfrointhelanguidair.
Agrasshopperbegantochirrupbythewall,andlikeabluethreadalong
sottile
thindragon-flyfloatedpastonitsbrowngauzewings.
LordHenryfeltasifhecouldhearBasilHallward’sheartbeating,andwonderedwhatwascoming.
“Thestoryissimplythis,”saidthepainteraftersometime.
“TwomonthsagoIwenttoacrushatLadyBrandon’s.
Youknowwepoorartistshavetoshowourselvesinsocietyfromtimetotime,justto
ricordare
remindthepublicthatwearenotsavages.
Withanevening
cappotto
coatandawhitetie,asyoutoldmeonce,anybody,evenastock-broker,cangaina
reputazione
reputationforbeingcivilized.
Well,afterIhadbeenintheroomabouttenminutes,talkingtohugeoverdresseddowagersandtediousacademicians,Isuddenlybecameconsciousthatsomeonewaslookingatme.
Iturnedhalf-wayroundandsawDorianGrayforthefirsttime.
Whenoureyesmet,IfeltthatIwasgrowingpale.
Acurioussensationofterrorcameoverme.
IknewthatIhadcomefacetofacewithsomeonewhosemerepersonalitywassofascinatingthat,ifIallowedittodoso,itwouldabsorbmywholenature,mywholesoul,myveryartitself.
Ididnotwantanyexternalinfluenceinmylife.
Youknowyourself,Harry,howindependentIambynature.
Ihavealwaysbeenmyownmaster;
hadatleastalwaysbeenso,tillImetDorianGray.
Then—butIdon’tknowhowtoexplainittoyou.
SomethingseemedtotellmethatIwasonthevergeofaterrible
crisi
crisisinmylife.
Ihadastrangefeelingthat
destino
fatehadinstoreformeexquisitejoysandexquisitesorrows.
Igrewafraidandturnedtoquittheroom.
Itwasnotconsciencethatmademedoso:
itwasasortofcowardice.
Itakenocredittomyselffortryingtoescape.”
“Conscienceandcowardicearereallythesamethings,Basil.
Conscienceisthetrade-nameofthefirm.
Thatisall.”
“Idon’tbelievethat,Harry,andIdon’tbelieveyoudoeither.
However,whateverwasmymotive—anditmayhavebeenpride,forIusedtobeveryproud—Icertainly
lottato
struggledtothedoor.
There,ofcourse,IstumbledagainstLadyBrandon.
‘Youarenotgoingtorunawaysosoon,Mr.Hallward?’shescreamedout.
Youknowhercuriouslyshrillvoice?”
“Yes;
sheisapeacockineverythingbutbeauty,”saidLordHenry,pullingthedaisytobitswithhislongnervousfingers.
“Icouldnotgetridofher.
Shebroughtmeuptoroyalties,andpeoplewithstarsandgarters,andelderlyladieswithgigantictiarasandparrotnoses.
Shespokeofmeasherdearestfriend.
Ihadonlymetheroncebefore,butshetookitintoherheadtolionizeme.
Ibelievesomepictureofminehadmadeagreat
successo
successatthetime,atleasthadbeenchatteredaboutinthepennynewspapers,whichisthenineteenth-centurystandardofimmortality.
SuddenlyIfoundmyselffacetofacewiththeyoungmanwhosepersonalityhadsostrangelystirredme.