THEPREFACE
Theartistis
il
thecreatorofbeautifulthings.To
rivelare
revealartandconcealtheartistisart’sscopo
aim.Thecriticishe
che
whocantranslateintoanothermodo
manneroranewmaterialhisimpressione
impressionofbeautifulthings.Thehighestas
la
thelowestformofcriticismisun
amodeofautobiography.Those
che
whofinduglymeaningsinbeautifulthingsarecorruptsenza
withoutbeingcharming.Thisis
un
afault.Thosewhofindbeautifulmeaningsinbeautifulthingsare
i
thecultivated.Forthesethereis
speranza
hope.Theyaretheelecttowhombeautifulthings
significano
meanonlybeauty.Thereis
non
nosuchthingasamorale
moraloranimmoralbook.Booksarewellwritten,
o
orbadlywritten.Thatis
tutto
all.Thenineteenthcenturydislikeofrealismisthe
rabbia
rageofCalibanseeinghisownfaccia
faceinaglass.Thenineteenth
secolo
centurydislikeofromanticismistherabbia
rageofCalibannotseeinghisownfaccia
faceinaglass.The
morale
morallifeofmanformsparte
partofthesubject-matterofla
theartist,butthemoralityofartconsistsinla
theperfectuseofanimperfetto
imperfectmedium.Noartistdesiresto
dimostrare
proveanything.Eventhingsthataretruecanbe
dimostrate
proved.Noartisthasethicalsympathies.
Anethical
simpatia
sympathyinanartistisanunpardonablemannerismofstile
style.Noartistisever
morboso
morbid.Theartistcanexpress
tutto
everything.Thoughtandlanguageareto
il
theartistinstrumentsofanart.Vizio
Viceandvirtuearetotheartistmaterialsforun
anart.Fromthepointof
vista
viewofform,thetypeoftutte
alltheartsistheartofthemusicista
musician.Fromthepointof
vista
viewoffeeling,theactor’scraftisil
thetype.Allartisatonce
superficie
surfaceandsymbol.Thosewho
vanno
gobeneaththesurfacedosoattheirperil.Those
che
whoreadthesymboldosoattheirperil.Itisthespectator,
e
andnotlife,thatartreallymirrors.Diversità
Diversityofopinionaboutaworkofartmostra
showsthattheworkisnew,complex,e
andvital.Whencriticsdisagree,
i
theartistisinaccordwithhimself.Wecan
perdonare
forgiveamanformakingautile
usefulthingaslongashefatto
doesnotadmireit.Theonly
scusa
excuseformakingauselesscosa
thingisthatoneadmiresitintensamente
intensely.Allartisquite
inutile
useless.CHAPTERI.
Thestudiowasfilledwith
il
therichodourofroses,e
andwhenthelightsummervento
windstirredamidstthetreesofil
thegarden,therecamethroughil
theopendoortheheavyscentofil
thelilac,orthemoredelicato
delicateperfumeofthepink-floweringspina
thorn.FromthecornerofthedivanofPersiansaddle-bagson
cui
whichhewaslying,smoking,aswashiscustom,innumerablecigarettes,LordHenryWottoncouldjustcatchthegleamofthehoney-sweete
andhoney-colouredblossomsofalaburnum,whosetremulousbranchessembravano
seemedhardlyabletobearthepeso
burdenofabeautysoflamelikeastheirs;e
andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwerestretchedindavanti
frontofthehugewindow,producingakindofmomentaryJapaneseeffetto
effect,andmakinghimthinkofthosepallid,jade-facedpaintersofTokyowho,throughthemezzo
mediumofanartthatisnecessariamente
necessarilyimmobile,seektoconveythesenso
senseofswiftnessandmotion.Thesullenmurmurofthebeesshoulderingtheir
strada
waythroughthelongunmownerba
grass,orcirclingwithmonotonousinsistenceroundthedustygilthornsofthestragglingwoodbine,sembrava
seemedtomakethestillnesspiù
moreoppressive.ThedimroarofLondonwas
come
likethebourdonnoteofun
adistantorgan.Inthe
centro
centreoftheroom,clampedtoanverticale
uprighteasel,stoodthefull-lengthritratto
portraitofayoungmanofextraordinarypersonale
personalbeauty,andinfrontofit,qualche
somelittledistanceaway,wasseduto
sittingtheartisthimself,BasilHallward,whosesuddenscomparsa
disappearancesomeyearsagocaused,atthetime,tale
suchpublicexcitementandgaverisetosomanystrangeconjectures.Asthe
pittore
painterlookedatthegraciouse
andcomelyformhehadsoskilfullymirroredinhisarte
art,asmileofpleasurepassedattraversò
acrosshisface,andseemedabouttolingerthere.Ma
Buthesuddenlystartedup,e
andclosinghiseyes,placedhisfingersuponle
thelids,asthoughhecercato
soughttoimprisonwithinhiscervello
brainsomecuriousdreamfromquale
whichhefearedhemightawake.“Itisyour
migliore
bestwork,Basil,thebestcosa
thingyouhaveeverdone,”disse
saidLordHenrylanguidly.“You
dovrai
mustcertainlysenditnextyeartotheGrosvenor.TheAcademyistoo
grande
largeandtoovulgar.WheneverIhave
andato
gonethere,therehavebeeneithersomanypersone
peoplethatIhavenotbeenabletovedere
seethepictures,whichwasterribile
dreadful,orsomanypicturesthatIhavenotbeenabletovedere
seethepeople,whichwaspeggio
worse.TheGrosvenorisreally
il
theonlyplace.”“Idon’tthinkIshallsenditanywhere,”he
rispose
answered,tossinghisheadbackinche
thatoddwaythatusedtofaceva
makehisfriendslaughathimatOxford.“No,Iwon’tsenditanywhere.”
LordHenryelevatedhiseyebrows
e
andlookedathiminamazementattraverso
throughthethinbluewreathsoffumo
smokethatcurledupinsuchfancifulwhorlsfromhispesante
heavy,opium-taintedcigarette.“Notsendit
da nessuna parte
anywhere?Mydearfellow,why?
Hai
Haveyouanyreason?Whatoddchapsyoupainters
siete
are!Youdoanythinginthe
mondo
worldtogainareputation.As
appena
soonasyouhaveone,yousembra
seemtowanttothrowitaway.Itissillyofyou,forthereis
solo
onlyonethinginthemondo
worldworsethanbeingtalkedabout,e
andthatisnotbeingparlato
talkedabout.Aportraitlike
questo
thiswouldsetyoufarsopra
abovealltheyoungmeninEngland,e
andmaketheoldmenquitejealous,se
ifoldmenareevercapableofanyemotion.”“Iknowyouwill
riderete
laughatme,”hereplied,“butIdavvero
reallycan’texhibitit.I
ho
haveputtoomuchofmyselfintoit.”LordHenrystretchedhimselfoutonthedivan
e
andlaughed.“Yes,Iknewyouwould;
ma
butitisquitetrue,tutto
allthesame.”“Toomuchofyourselfin
esso
it!Uponmyword,Basil,Ididn’t
sapevo
knowyouweresovain;e
andIreallycan’tseeanysomiglianza
resemblancebetweenyou,withyourruggedforte
strongfaceandyourcoal-blackcapelli
hair,andthisyoungAdonis,che
wholooksasifhewasmadeoutofavorio
ivoryandrose-leaves.Why,my
caro
dearBasil,heisaNarcissus,e
andyou—well,ofcourseyouhai
haveanintellectualexpressionandtutto
allthat.Butbeauty,real
bellezza
beauty,endswhereanintellectualexpressioninizia
begins.Intellectisinitself
un
amodeofexaggeration,anddistrugge
destroystheharmonyofanyface.The
momento
momentonesitsdowntopensare
think,onebecomesallnose,o
orallforehead,orsomethingorribile
horrid.Lookatthesuccessfulmenin
qualsiasi
anyofthelearnedprofessions.Come
Howperfectlyhideoustheyare!Tranne
Except,ofcourse,intheChiesa
Church.Buttheninthe
Chiesa
Churchtheydon’tthink.A
vescovo
bishopkeepsonsayingattheera
ageofeightywhathewastoldtosayquando
whenhewasaboyofeighteen,e
andasanaturalconsequencehesempre
alwayslooksabsolutelydelightful.Your
misterioso
mysteriousyoungfriend,whosenameyouhai
havenevertoldme,butwhosefoto
picturereallyfascinatesme,neverpensa
thinks.Ifeelquitesureofthat.
Heissomebrainlessbeautiful
creatura
creaturewhoshouldbealwaysqui
hereinwinterwhenweabbiamo
havenoflowerstolookat,e
andalwayshereinsummerquando
whenwewantsomethingtochillourintelligenza
intelligence.Don’tflatteryourself,Basil:
youarenotintheleast
come
likehim.”“Youdon’tunderstand
mi
me,Harry,”answeredtheartist.“OfcourseIamnot
come
likehim.Iknowthat
perfettamente
perfectlywell.Indeed,Ishouldbesorrytolooklike
lui
him.Youshrugyourshoulders?
Iam
dicendo
tellingyouthetruth.Thereis
una
afatalityaboutallphysicale
andintellectualdistinction,thesortoffatalityche
thatseemstodogthroughstoria
historythefalteringstepsofkings.Itis
meglio
betternottobedifferentfromone’sfellows.Theugly
e
andthestupidhavethemeglio
bestofitinthismondo
world.Theycansitattheir
agio
easeandgapeattheplay.Se
Iftheyknownothingofvittoria
victory,theyareatleastsparedtheconoscenza
knowledgeofdefeat.Theyliveaswe
tutti
allshouldlive—undisturbed,indifferent,andsenza
withoutdisquiet.Theyneitherbring
rovina
ruinuponothers,noreverricevono
receiveitfromalienhands.Your
rango
rankandwealth,Harry;mybrains,suchastheyare—my
arte
art,whateveritmaybevalore
worth;DorianGray’sgoodlooks—weshall
tutti
allsufferforwhatthegodshanno
havegivenus,sufferterribly.”“DorianGray?
Isthathisname?”
chiese
askedLordHenry,walkingacrossthestudio
studiotowardsBasilHallward.“Yes,thatishis
nome
name.Ididn’tintendtotellittoyou.”
“But
perché
whynot?”“Oh,Ican’texplain.
Quando
WhenIlikepeopleimmensely,Ineverdico
telltheirnamestoanyone.Itis
come
likesurrenderingapartofloro
them.Ihavegrownto
amare
lovesecrecy.Itseemstobetheone
cosa
thingthatcanmakemodernvita
lifemysteriousormarvelloustous.Thecommonest
cosa
thingisdelightfulifonesolo
onlyhidesit.WhenI
lascio
leavetownnowIneverdico
tellmypeoplewhereIamvado
going.IfIdid,Iwould
perderei
loseallmypleasure.Itisasillyhabit,I
oserei
daresay,butsomehowitsembra
seemstobringagreatdealofromanticismo
romanceintoone’slife.I
suppongo
supposeyouthinkmeawfullysciocco
foolishaboutit?”“Notatall,”
rispose
answeredLordHenry,“notatall,mycaro
dearBasil.Youseemto
dimentichi
forgetthatIammarried,e
andtheonecharmofmatrimonio
marriageisthatitmakesavita
lifeofdeceptionabsolutelynecessaryforentrambe
bothparties.Ineverknow
dove
wheremywifeis,andmymoglie
wifeneverknowswhatIamfacendo
doing.Whenwemeet—wedo
incontriamo
meetoccasionally,whenwedineoutinsieme
together,orgodowntole
theDuke’s—wetelleachotherle
themostabsurdstorieswithle
themostseriousfaces.My
moglie
wifeisverygoodatit—muchmeglio
better,infact,thanIam.Shenevergetsconfusedoverherdates,
e
andIalwaysdo.But
quando
whenshedoesfindmeout,shefa
makesnorowatall.I
a volte
sometimeswishshewould;butshemerelylaughsatme.”
“Ihatethe
modo
wayyoutalkaboutyourmarriedvita
life,Harry,”saidBasilHallward,strollingverso
towardsthedoorthatledintothegiardino
garden.“Ibelievethatyouare
davvero
reallyaverygoodhusband,ma
butthatyouarethoroughlyashamedofyourownvirtues.Youare
un
anextraordinaryfellow.Younever
dici
sayamoralthing,andyouneverfai
doawrongthing.Yourcynicismis
semplicemente
simplyapose.”“Beingnaturalis
semplicemente
simplyapose,andthepiù
mostirritatingposeIknow,”criedLordHenry,ridendo
laughing;andthetwoyoungmenwent
uscirono
outintothegardentogethere
andensconcedthemselvesonalungo
longbambooseatthatstoodini
theshadeofatallalloro
laurelbush.Thesunlightslippedover
la
thepolishedleaves.Inthegrass,whitedaisiesweretremulous.
Dopo
Afterapause,LordHenrytirò
pulledouthiswatch.“IamafraidImustbe
andare
going,Basil,”hemurmured,“andbeforeIandare
go,Iinsistonyourrisponda
answeringaquestionIputtoyouqualche
sometimeago.”“Whatisthat?”
disse
saidthepainter,keepinghiseyesfissi
fixedontheground.“You
sai
knowquitewell.”“Idonot,Harry.”
“Well,Iwill
dirò
tellyouwhatitis.Iwantyouto
spieghi
explaintomewhyyouwon’tesporre
exhibitDorianGray’spicture.Iwant
la
therealreason.”“Itoldyou
il
therealreason.”“No,you
fatto
didnot.Yousaiditwasbecausetherewastoomuchofyourselfin
esso
it.Now,thatischildish.”
“Harry,”
disse
saidBasilHallward,lookinghimdritto
straightintheface,“everyritratto
portraitthatispaintedwithfeelingisun
aportraitoftheartist,notofthesitter.La
Thesitterismerelytheaccident,la
theoccasion.Itisnothe
che
whoisrevealedbythepittore
painter;itisratherthe
pittore
painterwho,onthecolouredtela
canvas,revealshimself.ThereasonI
è
willnotexhibitthispictureische
thatIamafraidthatIho
haveshowninitthesegreto
secretofmyownsoul.”LordHenry
riso
laughed.“Andwhatisthat?”
he
chiesto
asked.“Iwilltellyou,”
disse
saidHallward;butanexpressionofperplexitycameoverhis
faccia
face.“Iamallexpectation,Basil,”
continuato
continuedhiscompanion,glancingathim.“Oh,thereis
davvero
reallyverylittletotell,Harry,”rispose
answeredthepainter;“andIamafraidyouwillhardlyunderstandit.
Forse
Perhapsyouwillhardlybelieveit.”LordHenry
sorrise
smiled,andleaningdown,pluckeduna
apink-petalleddaisyfromthegrasse
andexaminedit.“Iam
abbastanza
quitesureIshallunderstandit,”hereplied,gazingintentlyatthepiccolo
littlegolden,white-feathereddisk,“andasforcredere
believingthings,Icanbelievequalsiasi cosa
anything,providedthatitisabbastanza
quiteincredible.”Thewindshook
alcuni
someblossomsfromthetrees,e
andtheheavylilac-blooms,withtheirclusteringstars,movedtoe
andfrointhelanguidair.Agrasshopper
cominciò
begantochirrupbythemuro
wall,andlikeabluefilo
threadalongthindragon-flygalleggiava
floatedpastonitsbrowngauzewings.LordHenryfeltas
se
ifhecouldhearBasilHallward’scuore
heartbeating,andwonderedwhatwascoming.“The
storia
storyissimplythis,”saidil
thepainteraftersometime.“Twomonths
fa
agoIwenttoacrushatLadyBrandon’s.You
sai
knowwepoorartistshavetoshowourselvesinsocietyfromtimetotime,solo
justtoremindthepublicche
thatwearenotsavages.Di
Withaneveningcoatandawhitecravatta
tie,asyoutoldmevolta
once,anybody,evenastock-broker,canguadagnare
gainareputationforbeingcivilized.Well,
dopo
afterIhadbeenintheroomcirca
abouttenminutes,talkingtohugeoverdresseddowagerse
andtediousacademicians,Isuddenlybecameconsciousche
thatsomeonewaslookingatme.I
girato
turnedhalf-wayroundandsawDorianGrayforla
thefirsttime.Whenoureyes
incontrarono
met,IfeltthatIwasgrowingpallido
pale.Acurioussensationof
terrore
terrorcameoverme.I
sapevo
knewthatIhadcomefaccia
facetofacewithsomeonewhosesemplice
merepersonalitywassofascinatingche
that,ifIallowedittofaccia
doso,itwouldabsorbmywholenatura
nature,mywholesoul,myveryarte
artitself.Ididnotwantanyexternal
influenza
influenceinmylife.You
sai
knowyourself,Harry,howindependentIambynatura
nature.Ihavealwaysbeenmyown
padrone
master;hadatleastalwaysbeenso,tillI
incontrato
metDorianGray.Then—butIdon’t
so
knowhowtoexplainittoyou.Qualcosa
Somethingseemedtotellmeche
thatIwasonthevergeofuna
aterriblecrisisinmyvita
life.Ihadastrangefeeling
che
thatfatehadinstoreformeexquisitejoyse
andexquisitesorrows.Igrewafraid
e
andturnedtoquittheroom.Itwasnot
coscienza
consciencethatmademedoso:itwas
una
asortofcowardice.I
prendo
takenocredittomyselffortryingtoescape.”“Conscience
e
andcowardicearereallythesamethings,Basil.Coscienza
Conscienceisthetrade-nameofthefirm.Thatisall.”
“Idon’tbelieve
che
that,Harry,andIdon’tbelieveyoudoeither.However,
qualunque
whateverwasmymotive—anditmayho
havebeenpride,forIusedtobeveryproud—Isicuramente
certainlystruggledtothedoor.There,ofcourse,IstumbledagainstLady
Brandon
Brandon.‘Youarenotgoingtorunawayso
presto
soon,Mr.Hallward?’shescreamedout.Youknowhercuriouslyshrillvoice?”
“Yes;
sheis
un
apeacockineverythingbutbeauty,”disse
saidLordHenry,pullingthemargherita
daisytobitswithhislongnervousfingers.“Icouldnotgetridof
lei
her.Shebroughtmeuptoroyalties,
e
andpeoplewithstarsandgarters,e
andelderlyladieswithgigantictiarase
andparrotnoses.Shespokeofmeasherdearestfriend.
Ihad
solo
onlymetheroncebefore,ma
butshetookitintoherheadtolionizeme.I
credo
believesomepictureofminehadmadeun
agreatsuccessatthetime,atalmeno
leasthadbeenchatteredaboutinthepennynewspapers,che
whichisthenineteenth-centurystandardofimmortalità
immortality.SuddenlyIfoundmyself
faccia
facetofacewiththegiovane
youngmanwhosepersonalityhadsostranamente
strangelystirredme.