THEPREFACE
Theartististhecreatorofbeautifulthings.
Toreveal
कला
artandconcealtheartistisart’saim.Thecriticishewhocantranslateintoanothermanneroranewmaterialhisimpressionofbeautifulthings.
Thehighestasthelowestformofcriticismisamodeofautobiography.
Thosewhofind
बदसूरत
uglymeaningsinbeautifulthingsarecorruptwithoutbeingcharming.Thisisa
दोष
fault.Thosewhofindbeautifulmeaningsinbeautifulthingsarethecultivated.
Forthesethereishope.
Theyaretheelecttowhombeautifulthingsmeanonly
सौंदर्य
beauty.Thereisnosuchthingasamoraloranimmoralbook.
Booksarewellwritten,orbadlywritten.
Thatisall.
ThenineteenthcenturydislikeofrealismistherageofCalibanseeinghisownfaceina
कांच
glass.ThenineteenthcenturydislikeofromanticismistherageofCalibannotseeinghisownfaceina
कांच
glass.Themorallifeofmanformspartofthesubject-matteroftheartist,butthemoralityof
कला
artconsistsintheperfectuseofanimperfectmedium.Noartistdesiresto
साबित
proveanything.Eventhingsthataretruecanbeproved.
Noartisthasethicalsympathies.
Anethicalsympathyinanartistisanunpardonablemannerismofstyle.
Noartistisevermorbid.
Theartistcanexpresseverything.
Thoughtand
भाषा
languagearetotheartistinstrumentsofanकला
art.Viceandvirtuearetotheartistmaterialsforan
कला
art.Fromthepointofviewof
रूप
form,thetypeofalltheartsistheकला
artofthemusician.Fromthepointofviewoffeeling,theactor’scraftisthe
प्रकार
type.Allartisatoncesurfaceandsymbol.
Thosewhogobeneaththesurfacedosoattheirperil.
Thosewhoreadthesymboldosoattheirperil.
Itisthespectator,andnotlife,that
कला
artreallymirrors.Diversityofopinionaboutaworkofartshowsthattheworkisnew,complex,andvital.
Whencriticsdisagree,theartistisinaccordwithhimself.
Wecan
माफ
forgiveamanformakingausefulthingaslongashedoesnotadmireit.Theonlyexcuseformakingauselessthingisthatoneadmiresitintensely.
All
कला
artisquiteuseless.CHAPTERI.
Thestudiowasfilledwiththe
समृद्ध
richodourofroses,andwhenthelightगर्मियों
summerwindstirredamidstthetreesofthegarden,therecamethroughtheopendoortheभारी
heavyscentofthelilac,orthemoredelicateperfumeofthepink-floweringthorn.FromthecornerofthedivanofPersiansaddle-bagsonwhichhewaslying,smoking,aswashiscustom,innumerablecigarettes,LordHenryWottoncouldjustcatchthegleamofthehoney-sweetandhoney-colouredblossomsofalaburnum,whosetremulousbranchesseemedhardlyableto
सहन
beartheburdenofaसौंदर्य
beautysoflamelikeastheirs;andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwerestretchedinfrontofthe
विशाल
hugewindow,producingakindofmomentaryJapaneseeffect,andmakinghimthinkofthosepallid,jade-facedpaintersofTokyowho,throughthemediumofanकला
artthatisnecessarilyimmobile,seektoconveytheभावना
senseofswiftnessandmotion.Thesullenmurmurofthebeesshoulderingtheirwaythroughthelongunmowngrass,orcirclingwithmonotonousinsistenceroundthedustygilthornsofthestragglingwoodbine,seemedtomakethestillnessmoreoppressive.
ThedimroarofLondonwaslikethebourdonnoteofadistantorgan.
Inthecentreoftheroom,clampedtoanuprighteasel,stoodthefull-lengthportraitofayoungmanofextraordinary
व्यक्तिगत
personalbeauty,andinfrontofit,somelittledistanceaway,wassittingtheartisthimself,BasilHallward,जिनके
whosesuddendisappearancesomeyearsagocaused,atthetime,suchसार्वजनिक
publicexcitementandgaverisetosomanyअजीब
strangeconjectures.Asthepainterlookedatthegraciousandcomelyformhehadsoskilfullymirroredinhis
कला
art,asmileofpleasurepassedacrosshisface,andseemedabouttolingerthere.Buthe
अचानक
suddenlystartedup,andclosinghiseyes,placedhisfingersuponthelids,asthoughhesoughttoimprisonwithinhisदिमाग
brainsomecuriousdreamfromwhichhefearedhemightawake.“Itisyourbestwork,Basil,thebestthingyouhaveeverdone,”saidLordHenrylanguidly.
“Youmust
निश्चित
certainlysenditnextyeartotheGrosvenor.TheAcademyistoolargeandtoovulgar.
WheneverIhavegonethere,therehavebeeneithersomanypeoplethatIhavenotbeenabletoseethepictures,whichwasdreadful,orsomanypicturesthatIhavenotbeenabletoseethepeople,whichwas
बदतर
worse.TheGrosvenorisreallytheonlyplace.”
“Idon’tthinkIshallsenditanywhere,”heanswered,tossinghisheadbackinthatoddwaythatusedtomakehisfriendslaughathimatOxford.
“No,Iwon’tsenditanywhere.”
LordHenryelevatedhiseyebrowsandlookedathiminamazementthroughthethin
नीले
bluewreathsofsmokethatcurledupinsuchfancifulwhorlsfromhisभारी
heavy,opium-taintedcigarette.“Notsendit
कहीं
anywhere?Mydearfellow,why?
Haveyouanyreason?
Whatoddchapsyoupaintersare!
Youdoanythingintheworldtogainareputation.
Assoonasyouhaveone,youseemtowanttothrowitaway.
Itissillyofyou,forthereisonlyonethingintheworldworsethanbeingtalkedabout,andthatisnotbeingtalkedabout.
Aportraitlikethiswouldsetyoufar
ऊपर
abovealltheyoungmeninEngland,andmaketheoldmenquitejealous,ifoldmenareevercapableofanyemotion.”“Iknowyouwilllaughatme,”hereplied,“butIreallycan’texhibitit.
Ihaveputtoomuchofmyselfintoit.”
LordHenrystretchedhimselfoutonthedivanandlaughed.
“Yes,Iknewyouwould;
butitisquitetrue,allthesame.”
“Toomuchofyourselfinit!
Uponmyword,Basil,Ididn’tknowyouweresovain;
andIreallycan’tseeanyresemblancebetweenyou,withyourrugged
मजबूत
strongfaceandyourcoal-blackhair,andthisyoungAdonis,wholooksasifhewasmadeoutofivoryandrose-leaves.Why,mydearBasil,heisaNarcissus,andyou—well,ofcourseyouhaveanintellectualexpressionandallthat.
But
सौंदर्य
beauty,realbeauty,endswhereanintellectualexpressionbegins.Intellectisinitselfamodeofexaggeration,anddestroystheharmonyofanyface.
Themomentonesitsdowntothink,onebecomesall
नाक
nose,orallforehead,orsomethinghorrid.Lookatthesuccessfulmeninanyofthelearnedprofessions.
Howperfectlyhideoustheyare!
छोड़कर
Except,ofcourse,intheचर्च
Church.Buttheninthe
चर्च
Churchtheydon’tthink.Abishopkeepsonsayingatthe
आयु
ageofeightywhathewastoldtosaywhenhewasaboyofeighteen,andasanaturalconsequencehealwayslooksabsolutelydelightful.Yourmysteriousyoungfriend,
जिसका
whosenameyouhavenevertoldme,butजिसका
whosepicturereallyfascinatesme,neverthinks.Ifeelquitesureofthat.
Heissomebrainlessbeautifulcreaturewhoshouldbealwayshereinwinterwhenwehavenoflowerstolookat,andalwaysherein
गर्मियों
summerwhenwewantsomethingtochillourintelligence.Don’tflatteryourself,Basil:
youarenotintheleastlikehim.”
“Youdon’tunderstandme,Harry,”answeredtheartist.
“OfcourseIamnotlikehim.
Iknowthatperfectlywell.
Indeed,Ishouldbesorrytolooklikehim.
Youshrugyourshoulders?
Iamtellingyouthetruth.
Thereisafatalityaboutallphysicalandintellectualdistinction,thesortoffatalitythatseemstodogthrough
इतिहास
historythefalteringstepsofkings.Itisbetternottobedifferentfromone’sfellows.
The
बदसूरत
uglyandthestupidhavethebestofitinthisworld.Theycansitattheireaseandgapeattheplay.
Iftheyknownothingofvictory,theyareatleastsparedtheknowledgeofdefeat.
Theyliveasweallshouldlive—undisturbed,indifferent,andwithoutdisquiet.
Theyneitherbringruinuponothers,noreverreceiveitfromalienhands.
Yourrankandwealth,Harry;
mybrains,suchastheyare—my
कला
art,whateveritmaybeworth;DorianGray’sgoodlooks—weshallallsufferforwhatthegodshavegivenus,sufferterribly.”
“DorianGray?
Isthathisname?”
askedLordHenry,walking
पार
acrossthestudiotowardsBasilHallward.“Yes,thatishisname.
Ididn’tintendtotellittoyou.”
“Butwhynot?”
“Oh,Ican’t
समझा
explain.WhenIlikepeopleimmensely,Inevertelltheirnamestoanyone.
Itislikesurrenderingapartofthem.
Ihavegrowntolovesecrecy.
Itseemstobetheonethingthatcanmakemodernlifemysteriousormarvelloustous.
Thecommonestthingisdelightfulifoneonlyhidesit.
WhenIleavetownnowInevertellmypeoplewhereIamgoing.
IfIdid,Iwouldloseallmy
आनंद
pleasure.Itisasillyhabit,I
हिम्मत
daresay,butsomehowitseemstobringagreatdealofromanceintoone’slife.Isupposeyouthinkmeawfullyfoolishaboutit?”
“Notatall,”answeredLordHenry,“notatall,mydearBasil.
You
लगता
seemtoforgetthatIammarried,andtheonecharmofmarriageisthatitmakesalifeofdeceptionबिल्कुल
absolutelynecessaryforbothparties.Ineverknowwheremywifeis,andmywifeneverknowswhatIamdoing.
Whenwemeet—wedomeetoccasionally,whenwedineouttogether,orgodowntotheDuke’s—wetelleachotherthemostabsurdstorieswiththemostseriousfaces.
Mywifeisverygoodatit—muchbetter,infact,thanIam.
Shenevergetsconfusedoverherdates,andIalwaysdo.
Butwhenshedoesfindmeout,shemakesnorowatall.
Isometimeswishshewould;
butshemerelylaughsatme.”
“Ihatethewayyoutalkaboutyourmarriedlife,Harry,”saidBasilHallward,strollingtowardsthedoorthatledintothegarden.
“Ibelievethatyouarereallyaverygoodhusband,butthatyouarethoroughlyashamedofyourownvirtues.
Youareanextraordinaryfellow.
Youneversayamoralthing,andyouneverdoawrongthing.
Yourcynicismis
केवल
simplyapose.”“Beingnaturalis
केवल
simplyapose,andthemostirritatingposeIknow,”criedLordHenry,laughing;andthetwoyoungmenwentoutintothegardentogetherandensconcedthemselvesonalongbambooseatthatstoodintheshadeofatalllaurelbush.
Thesunlightslippedoverthepolishedleaves.
Inthegrass,whitedaisiesweretremulous.
Afterapause,LordHenrypulledouthiswatch.
“IamafraidImustbegoing,Basil,”hemurmured,“andbeforeIgo,IinsistonyouransweringaquestionIputtoyousometimeago.”
“Whatisthat?”
saidthepainter,keepinghiseyesfixedonthe
जमीन
ground.“Youknowquitewell.”
“Idonot,Harry.”
“Well,Iwilltellyouwhatitis.
Iwantyoutoexplaintomewhyyouwon’texhibitDorianGray’s
तस्वीर
picture.Iwanttherealreason.”
“Itoldyoutherealreason.”
“No,youdidnot.
Yousaiditwasbecausetherewastoomuchofyourselfinit.
Now,thatischildish.”
“Harry,”saidBasilHallward,lookinghim
सीधे
straightintheface,“everyportraitthatispaintedwithfeelingisaportraitoftheartist,notofthesitter.Thesitterismerelythe
दुर्घटना
accident,theoccasion.Itisnothewhoisrevealedbythepainter;
itis
बल्कि
ratherthepainterwho,onthecolouredcanvas,revealshimself.ThereasonIwillnotexhibitthis
चित्र
pictureisthatIamafraidthatIhaveshowninittheरहस्य
secretofmyownsoul.”LordHenrylaughed.
“Andwhatisthat?”
heasked.
“Iwilltellyou,”saidHallward;
butanexpressionofperplexitycameoverhisface.
“Iamallexpectation,Basil,”continuedhiscompanion,glancingathim.
“Oh,thereisreallyverylittletotell,Harry,”answeredthepainter;
“andIamafraidyouwillhardlyunderstandit.
Perhapsyouwillhardlybelieveit.”
LordHenrysmiled,andleaningdown,pluckedapink-petalleddaisyfromthegrassandexaminedit.
“IamquitesureIshallunderstandit,”hereplied,gazingintentlyatthelittlegolden,white-feathereddisk,“andasforbelievingthings,Icanbelieveanything,providedthatitisquiteincredible.”
Thewindshooksomeblossomsfromthetrees,andthe
भारी
heavylilac-blooms,withtheirclusteringstars,movedtoandfrointhelanguidair.Agrasshopperbegantochirrupbythe
दीवार
wall,andlikeabluethreadalongthindragon-flyfloatedpastonitsbrowngauzewings.LordHenryfeltasifhecouldhearBasilHallward’sheartbeating,andwonderedwhatwascoming.
“Thestoryis
बस
simplythis,”saidthepainteraftersometime.“TwomonthsagoIwenttoacrushatLadyBrandon’s.
Youknowwepoorartistshavetoshowourselvesinsocietyfromtimetotime,justtoremindthe
जनता
publicthatwearenotsavages.Withaneveningcoatandawhitetie,asyoutoldmeonce,anybody,evenastock-broker,cangainareputationforbeingcivilized.
Well,afterIhadbeenintheroomabouttenminutes,talkingto
विशाल
hugeoverdresseddowagersandtediousacademicians,Iअचानक
suddenlybecameconsciousthatsomeonewaslookingatme.Iturnedhalf-wayroundandsawDorianGrayforthefirsttime.
Whenoureyesmet,IfeltthatIwasgrowingpale.
Acurioussensationofterrorcameoverme.
IknewthatIhadcomefacetofacewithsomeone
जिसका
whosemerepersonalitywassofascinatingthat,ifIallowedittodoso,itwouldabsorbmywholeप्रकृति
nature,mywholesoul,myveryकला
artitself.Ididnotwantanyexternalinfluenceinmylife.
Youknowyourself,Harry,howindependentIamby
प्रकृति
nature.Ihavealwaysbeenmyownmaster;
hadatleastalwaysbeenso,tillImetDorianGray.
Then—butIdon’tknowhowtoexplainittoyou.
SomethingseemedtotellmethatIwasonthevergeofa
भयानक
terriblecrisisinmylife.Ihada
अजीब
strangefeelingthatfatehadinstoreformeexquisitejoysandexquisitesorrows.Igrewafraidandturnedtoquittheroom.
Itwasnotconsciencethatmademedoso:
itwasasortofcowardice.
Itakenocredittomyselffortryingtoescape.”
“Conscienceandcowardicearereallythesamethings,Basil.
Conscienceisthetrade-nameofthefirm.
Thatisall.”
“Idon’tbelievethat,Harry,andIdon’tbelieveyoudoeither.
हालांकि
However,whateverwasmymotive—anditmayhavebeenpride,forIusedtobeveryproud—Iनिश्चित
certainlystruggledtothedoor.There,ofcourse,IstumbledagainstLadyBrandon.
‘Youarenotgoingtorunawaysosoon,Mr.Hallward?’shescreamedout.
Youknowhercuriouslyshrillvoice?”
“Yes;
sheisapeacockineverythingbutbeauty,”saidLordHenry,pullingthedaisytobitswithhislongnervousfingers.
“Icouldnotget
छुटकारा
ridofher.Shebroughtmeuptoroyalties,andpeoplewithstarsandgarters,andelderlyladieswithgigantictiarasandparrotnoses.
Shespokeofmeasherdearestfriend.
Ihadonlymetheroncebefore,butshetookitintoherheadtolionizeme.
Ibelievesome
तस्वीर
pictureofminehadmadeagreatsuccessatthetime,atleasthadbeenchatteredaboutinthepennynewspapers,whichisthenineteenth-centurystandardofimmortality.अचानक
SuddenlyIfoundmyselffacetofacewiththeyoungmanजिसका
whosepersonalityhadsostrangelystirredme.