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The Picture of Dorian Gray | Progressive French B1 Translation Books

The Picture of Dorian Gray | Progressive French B1 Translation Books

Discover the advantages of this innovative translation method, designed to cater to your learning needs. You can select your preferred difficulty level, ensuring a well-balanced challenge that isn't too overwhelming. This technique sharpens your comprehension skills by encouraging you to derive meaning from context, minimizing the need for direct translations. While some words are purposefully obscured to promote contextual guessing, looking up unclear terms is always an option. With this method, language learning becomes both accessible and enjoyable, blending challenge with support. Explore translated classics and experience the excitement of learning through literature.

THEPREFACE
Theartististhecreatorofbeautifulthings.
Torevealartandconcealtheartistisart’s
but
aim.
Thecriticishewhocantranslateintoanothermanneroranewmaterialhisimpressionofbeautifulthings.
Thehighestasthelowestformofcriticismisamodeofautobiography.
Thosewhofinduglymeaningsinbeautifulthingsarecorruptwithoutbeingcharming.
Thisisafault.
Thosewhofindbeautifulmeaningsinbeautifulthingsarethecultivated.
Forthesethereishope.
Theyaretheelecttowhombeautifulthingsmeanonlybeauty.
Thereisnosuchthingasamoraloranimmoralbook.
Booksarewellwritten,orbadlywritten.
Thatisall.
Thenineteenth
siècle
centurydislikeofrealismistherageofCalibanseeinghisownfaceinaglass.
Thenineteenth
siècle
centurydislikeofromanticismistherageofCalibannotseeinghisownfaceinaglass.
Themorallifeofmanformspartofthesubject-matteroftheartist,butthemoralityofartconsistsintheperfectuseofanimperfectmedium.
No
artiste
artistdesirestoproveanything.
Eventhingsthataretruecanbeproved.
No
artiste
artisthasethicalsympathies.
Anethicalsympathyinan
artiste
artistisanunpardonablemannerismof
style
style.
Noartistisevermorbid.
Theartistcan
exprimer
expresseverything.
Thoughtandlanguagearetotheartistinstrumentsofanart.
Vice
Viceandvirtuearetotheartistmaterialsforanart.
Fromthepointof
vue
viewofform,thetypeofalltheartsistheartofthemusician.
Fromthepointof
vue
viewoffeeling,theactor’scraftisthetype.
Allartisatonce
surface
surfaceandsymbol.
Thosewhogobeneaththe
surface
surfacedosoattheirperil.
Thosewhoreadthesymboldosoattheirperil.
Itisthespectator,andnotlife,thatartreallymirrors.
Diversityofopinionaboutaworkofartshowsthattheworkisnew,complex,andvital.
Whencriticsdisagree,theartistisinaccordwithhimself.
Wecanforgiveamanformakingausefulthingaslongashedoesnotadmireit.
Theonlyexcuseformakinga
inutile
uselessthingisthatoneadmiresitintensely.
Allartisquite
inutile
useless.
CHAPTERI.
Thestudiowas
rempli
filledwiththerichodourofroses,andwhenthelightsummerwindstirredamidstthetreesofthe
jardin
garden,therecamethroughtheopendoortheheavyscentofthelilac,orthemoredelicateperfumeofthepink-floweringthorn.
FromthecornerofthedivanofPersiansaddle-bagsonwhichhewaslying,smoking,aswashiscustom,innumerablecigarettes,LordHenryWottoncouldjustcatchthegleamofthehoney-sweetandhoney-colouredblossomsofalaburnum,whosetremulousbranchesseemed
à peine
hardlyabletobeartheburdenofabeautysoflamelikeastheirs;
andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwerestretchedinfrontofthehugewindow,producingakindofmomentaryJapaneseeffect,andmakinghimthinkofthosepallid,jade-facedpaintersofTokyowho,throughthemediumofanartthatisnecessarilyimmobile,
cherchent
seektoconveythesenseofswiftnessandmotion.
Thesullenmurmurofthebeesshoulderingtheirwaythroughthelongunmown
herbe
grass,orcirclingwithmonotonousinsistenceroundthedustygilthornsofthestragglingwoodbine,seemedtomakethestillnessmoreoppressive.
ThedimroarofLondonwaslikethebourdon
note
noteofadistantorgan.
Inthecentreoftheroom,clampedtoanuprighteasel,stoodthefull-lengthportraitofayoungmanof
extraordinaire
extraordinarypersonalbeauty,andinfrontofit,somelittle
distance
distanceaway,wassittingtheartisthimself,BasilHallward,whose
soudaine
suddendisappearancesomeyearsagocaused,atthetime,suchpublicexcitementandgaverisetosomanystrangeconjectures.
Asthepainterlookedatthegraciousandcomelyformhehadsoskilfullymirroredinhisart,asmileofpleasurepassedacrosshisface,andseemedabouttolingerthere.
Buthesuddenlystartedup,andclosinghiseyes,placedhisfingersuponthelids,asthoughhe
cherchait
soughttoimprisonwithinhisbrainsome
curieux
curiousdreamfromwhichhefearedhemight
réveiller
awake.
“Itisyourbestwork,Basil,thebestthingyouhaveeverdone,”saidLordHenrylanguidly.
“YoumustcertainlysenditnextyeartotheGrosvenor.
TheAcademyistoolargeandtoovulgar.
WheneverIhavegonethere,therehavebeeneithersomanypeoplethatIhavenotbeenabletoseethepictures,whichwasdreadful,orsomanypicturesthatIhavenotbeenabletoseethepeople,whichwasworse.
TheGrosvenorisreallytheonlyplace.”
“Idon’tthinkIshallsenditanywhere,”heanswered,tossinghisheadbackinthat
étrange
oddwaythatusedtomakehisfriendslaughathimatOxford.
“No,Iwon’tsenditanywhere.”
LordHenryelevatedhiseyebrowsandlookedathiminamazementthroughthethinbluewreathsofsmokethatcurledupinsuchfancifulwhorlsfromhisheavy,opium-tainted
cigarette
cigarette.
“Notsenditanywhere?
Mydearfellow,why?
Haveyouanyreason?
Whatoddchapsyoupaintersare!
Youdoanythingintheworldtogaina
réputation
reputation.
Assoonasyouhaveone,youseemtowanttothrowitaway.
Itissillyofyou,forthereisonlyonethingintheworldworsethanbeingtalkedabout,andthatisnotbeingtalkedabout.
AportraitlikethiswouldsetyoufarabovealltheyoungmeninEngland,andmaketheoldmenquite
jaloux
jealous,ifoldmenareevercapableofanyemotion.”
“Iknowyouwilllaughatme,”hereplied,“butIreallycan’texhibitit.
Ihaveputtoomuchofmyselfintoit.”
LordHenrystretchedhimselfoutonthedivanandlaughed.
“Yes,Iknewyouwould;
butitisquitetrue,allthesame.”
“Toomuchofyourselfinit!
Uponmyword,Basil,Ididn’tknowyouweresovain;
andIreallycan’tseeanyresemblancebetweenyou,withyourruggedstrongfaceandyourcoal-blackhair,andthisyoungAdonis,wholooksasifhewasmadeoutofivoryandrose-leaves.
Why,mydearBasil,heisaNarcissus,andyou—well,ofcourseyouhaveanintellectualexpressionandallthat.
Butbeauty,realbeauty,endswhereanintellectualexpressionbegins.
Intellectisinitselfamodeofexaggeration,and
détruit
destroystheharmonyofanyface.
Themomentonesitsdowntothink,onebecomesallnose,orallforehead,orsomethinghorrid.
Lookatthe
succès
successfulmeninanyofthelearnedprofessions.
How
parfaitement
perfectlyhideoustheyare!
Except,ofcourse,intheChurch.
ButthenintheChurchtheydon’tthink.
Abishopkeepsonsayingattheageofeightywhathewastoldtosaywhenhewasaboyofeighteen,andasanaturalconsequencehealwayslooksabsolutelydelightful.
Yourmysteriousyoungfriend,whosenameyouhavenevertoldme,butwhosepicturereallyfascinatesme,neverthinks.
Ifeelquitesureofthat.
Heissomebrainlessbeautiful
créature
creaturewhoshouldbealwaysherein
hiver
winterwhenwehavenoflowerstolookat,andalwayshereinsummerwhenwewantsomethingto
refroidir
chillourintelligence.
Don’tflatteryourself,Basil:
youarenotintheleastlikehim.”
“Youdon’tunderstandme,Harry,”answeredtheartist.
“OfcourseIamnotlikehim.
Iknowthat
parfaitement
perfectlywell.
Indeed,Ishouldbesorrytolooklikehim.
Youshrugyourshoulders?
Iamtellingyouthetruth.
Thereisafatalityaboutall
physique
physicalandintellectualdistinction,thesortoffatalitythatseemstodogthroughhistorythefalteringstepsofkings.
Itisbetternottobedifferentfromone’sfellows.
Theuglyandthestupidhavethebestofitinthisworld.
Theycansitattheireaseandgapeattheplay.
Iftheyknownothingofvictory,theyareatleastsparedthe
connaissance
knowledgeofdefeat.
Theyliveasweallshouldlive—undisturbed,indifferent,andwithoutdisquiet.
Theyneitherbring
ruine
ruinuponothers,norever
reçoivent
receiveitfromalienhands.
Yourrankandwealth,Harry;
mybrains,suchastheyare—myart,whateveritmaybeworth;
DorianGray’sgoodlooks—weshallall
souffrir
sufferforwhatthegodshavegivenus,
souffrir
sufferterribly.”
“DorianGray?
Isthathisname?”
askedLordHenry,walkingacrossthe
studio
studiotowardsBasilHallward.
“Yes,thatishisname.
Ididn’tintendtotellittoyou.”
“Butwhynot?”
“Oh,Ican’texplain.
WhenIlikepeopleimmensely,Inevertelltheirnamestoanyone.
Itislikesurrenderingapartofthem.
Ihavegrowntolovesecrecy.
Itseemstobetheonethingthatcanmake
moderne
modernlifemysteriousormarvelloustous.
Thecommonestthingisdelightfulifoneonlyhidesit.
WhenIleavetownnowInevertellmypeoplewhereIamgoing.
IfIdid,Iwouldloseallmypleasure.
Itisasillyhabit,Idaresay,butsomehowitseemstobringagreatdealofromanceintoone’slife.
Isupposeyouthinkmeawfullyfoolishaboutit?”
“Notatall,”answeredLordHenry,“notatall,mydearBasil.
YouseemtoforgetthatIammarried,andtheonecharmofmarriageisthatitmakesalifeofdeceptionabsolutelynecessaryforbothparties.
Ineverknowwheremywifeis,andmywifeneverknowswhatIamdoing.
Whenwemeet—wedomeetoccasionally,whenwedineouttogether,orgodowntotheDuke’s—wetelleachotherthemostabsurdstorieswiththemostseriousfaces.
Mywifeisverygoodatit—muchbetter,infact,thanIam.
Shenevergetsconfusedoverherdates,andIalwaysdo.
Butwhenshedoesfindmeout,shemakesnorowatall.
Isometimeswishshewould;
butshemerelylaughsatme.”
“Ihatethewayyoutalkaboutyourmarriedlife,Harry,”saidBasilHallward,strolling
vers
towardsthedoorthatledintothe
jardin
garden.
“Ibelievethatyouarereallyaverygoodhusband,butthatyouarethoroughly
honte
ashamedofyourownvirtues.
Youarean
extraordinaire
extraordinaryfellow.
Youneversayamoralthing,andyouneverdoawrongthing.
Yourcynicismissimplyapose.”
“Being
naturel
naturalissimplyapose,andthemostirritatingposeIknow,”criedLordHenry,laughing;
andthetwoyoungmenwentoutintothe
jardin
gardentogetherandensconcedthemselvesonalongbambooseatthatstoodintheshadeofa
grand
talllaurelbush.
Thesunlight
glissait
slippedoverthepolishedleaves.
Inthegrass,whitedaisiesweretremulous.
Afterapause,LordHenrypulledouthiswatch.
“IamafraidImustbegoing,Basil,”hemurmured,“andbeforeIgo,IinsistonyouransweringaquestionIputtoyousometimeago.”
“Whatisthat?”
saidthepainter,keepinghiseyesfixedontheground.
“Youknowquitewell.”
“Idonot,Harry.”
“Well,Iwilltellyouwhatitis.
Iwantyoutoexplaintomewhyyouwon’texhibitDorianGray’spicture.
Iwanttherealreason.”
“Itoldyoutherealreason.”
“No,youdidnot.
Yousaiditwasbecausetherewastoomuchofyourselfinit.
Now,thatischildish.”
“Harry,”saidBasilHallward,lookinghimstraightintheface,“everyportraitthatispaintedwithfeelingisaportraitoftheartist,notofthesitter.
Thesitterismerelytheaccident,theoccasion.
Itisnothewhoisrevealedbythepainter;
itisratherthepainterwho,onthecolouredcanvas,revealshimself.
ThereasonIwillnotexhibitthispictureisthatIamafraidthatIhave
montré
showninitthesecretofmyownsoul.”
LordHenrylaughed.
“Andwhatisthat?”
heasked.
“Iwilltellyou,”saidHallward;
butanexpressionofperplexitycameoverhisface.
“Iamallexpectation,Basil,”continuedhiscompanion,glancingathim.
“Oh,thereisreallyverylittletotell,Harry,”answeredthepainter;
“andIamafraidyouwillhardlyunderstandit.
Perhapsyouwillhardlybelieveit.”
LordHenrysmiled,andleaningdown,pluckedapink-petalleddaisyfromthegrassandexaminedit.
“IamquitesureIshallunderstandit,”hereplied,gazingintentlyatthelittlegolden,white-feathereddisk,“andasforbelievingthings,Icanbelieveanything,providedthatitisquiteincredible.”
Thewindshooksomeblossomsfromthetrees,andtheheavylilac-blooms,withtheirclusteringstars,movedtoandfrointhelanguidair.
Agrasshopperbegantochirrupbythewall,andlikeabluethreadalong
mince
thindragon-flyfloatedpastonitsbrowngauzewings.
LordHenryfeltasifhecouldhearBasilHallward’sheartbeating,andwonderedwhatwascoming.
“Thestoryissimplythis,”saidthepainteraftersometime.
“TwomonthsagoIwenttoacrushatLadyBrandon’s.
Youknowwepoorartistshavetoshowourselvesin
société
societyfromtimetotime,justto
rappeler
remindthepublicthatwearenotsavages.
Withanevening
manteau
coatandawhitetie,asyoutoldmeonce,anybody,evenastock-broker,cangaina
réputation
reputationforbeingcivilized.
Well,afterIhadbeenintheroomabouttenminutes,talkingtohugeoverdresseddowagersandtediousacademicians,Isuddenlybecameconsciousthatsomeonewaslookingatme.
Iturnedhalf-wayroundandsawDorianGrayforthefirsttime.
Whenoureyesmet,IfeltthatIwasgrowingpale.
Acurioussensationofterrorcameoverme.
IknewthatIhadcomefacetofacewithsomeonewhosemerepersonalitywassofascinatingthat,ifIallowedittodoso,itwouldabsorbmywholenature,mywholesoul,myveryartitself.
Ididnotwantanyexternalinfluenceinmylife.
Youknowyourself,Harry,howindependentIambynature.
Ihavealwaysbeenmyownmaster;
hadatleastalwaysbeenso,tillImetDorianGray.
Then—butIdon’tknowhowtoexplainittoyou.
SomethingseemedtotellmethatIwasonthevergeofaterrible
crise
crisisinmylife.
Ihadastrangefeelingthat
destin
fatehadinstoreformeexquisitejoysandexquisitesorrows.
Igrewafraidandturnedtoquittheroom.
Itwasnotconsciencethatmademedoso:
itwasasortofcowardice.
Itakenocredittomyselffortryingtoescape.”
“Conscienceandcowardicearereallythesamethings,Basil.
Conscienceisthetrade-nameofthefirm.
Thatisall.”
“Idon’tbelievethat,Harry,andIdon’tbelieveyoudoeither.
However,whateverwasmymotive—anditmayhavebeenpride,forIusedtobeveryproud—Icertainly
lutté
struggledtothedoor.
There,ofcourse,IstumbledagainstLadyBrandon.
‘Youarenotgoingtorunawaysosoon,Mr.Hallward?’she
crié
screamedout.
Youknowhercuriouslyshrillvoice?”
“Yes;
sheisapeacockineverythingbutbeauty,”saidLordHenry,pullingthedaisytobitswithhislongnervousfingers.
“Icouldnotgetridofher.
Shebroughtmeuptoroyalties,andpeoplewithstarsandgarters,andelderlyladieswithgigantictiarasandparrotnoses.
Shespokeofmeasherdearestfriend.
Ihadonlymetheroncebefore,butshetookitintoherheadtolionizeme.
Ibelievesomepictureofminehadmadeagreat
succès
successatthetime,atleasthadbeenchatteredaboutinthepennynewspapers,whichisthenineteenth-centurystandardofimmortality.
SuddenlyIfoundmyselffacetofacewiththeyoungmanwhosepersonalityhadsostrangelystirredme.