THEPREFACE
Theartististhe
skaberen
creatorofbeautifulthings.To
afsløre
revealartandconcealtheartistisart’saim.Thecriticishewhocan
oversætte
translateintoanothermanneroranewmaterialhisindtryk
impressionofbeautifulthings.Thehighestasthe
laveste
lowestformofcriticismisamodeofautobiography.Thosewhofinduglymeaningsinbeautifulthingsare
korrupte
corruptwithoutbeingcharming.Thisisafault.
Thosewhofindbeautifulmeaningsinbeautifulthingsarethe
kultiverede
cultivated.Forthesethereishope.
Theyarethe
udvalgte
electtowhombeautifulthingsmeanonlybeauty.Thereisnosuchthingasa
moralsk
moraloranimmoralbook.Booksarewellwritten,orbadlywritten.
Thatisall.
Thenineteenthcentury
afsky
dislikeofrealismistheraseri
rageofCalibanseeinghisownfaceinaglass.Thenineteenthcentury
afsky
dislikeofromanticismistheraseri
rageofCalibannotseeinghisownfaceinaglass.The
moralske
morallifeofmanformspartofthesubject-matteroftheartist,butthemoral
moralityofartconsistsintheperfectuseofanimperfectmedium
medium.Noartistdesirestoproveanything.
Eventhingsthataretruecanbeproved.
Noartisthas
etiske
ethicalsympathies.Anethicalsympathyinanartistisanunpardonablemannerismofstyle.
Noartistisever
sygelig
morbid.Theartistcanexpresseverything.
Thoughtandlanguagearetotheartistinstrumentsofanart.
Viceand
dyd
virtuearetotheartistmaterialsforanart.Fromthepointofviewofform,thetypeofalltheartsistheartofthemusician.
Fromthepointofviewoffeeling,theactor’s
håndværk
craftisthetype.Allartisatoncesurfaceand
symbol
symbol.Thosewhogobeneaththesurfacedosoattheirperil.
Thosewhoreadthesymboldosoattheirperil.
Itisthespectator,andnotlife,thatartreallymirrors.
Forskellighed
Diversityofopinionaboutaworkofartshowsthattheworkisnew,complex,andvigtigt
vital.Whencriticsdisagree,theartistisinaccordwithhimself.
Wecanforgiveamanformakingausefulthingaslongashedoesnot
beundrer
admireit.Theonlyexcuseformakingauselessthingisthatone
beundrer
admiresitintensely.Allartisquiteuseless.
Kapitel
CHAPTERI.Thestudiowasfilledwiththerichodourofroses,andwhenthelightsummerwindstirredamidstthetreesofthegarden,therecamethroughtheopendoortheheavy
duft
scentofthelilac,orthemoredelicateperfumeofthepink-floweringtorn
thorn.FromthecornerofthedivanofPersiansaddle-bagsonwhichhewaslying,smoking,aswashis
skik
custom,innumerablecigarettes,LordHenryWottoncouldjustcatchthegleamofthehoney-sweetandhoney-colouredblossomsofalaburnum,whosetremulousbranchesseemedhardlyabletobeartheburdenofabeautysoflamelikeastheirs;andnowandthenthefantasticshadowsofbirdsinflightflittedacrossthelongtussore-silkcurtainsthatwere
strakt
stretchedinfrontofthehugewindow,producingakindofmomentaryJapaneseeffect,andmakinghimthinkofthosepallid,jade-facedpaintersofTokyowho,throughthemedium
mediumofanartthatisnødvendigvis
necessarilyimmobile,seektoconveythesenseofswiftnessandbevægelse
motion.Thesullenmurmurofthebeesshoulderingtheirwaythroughthelongunmowngrass,orcirclingwithmonotonousinsistenceroundthe
støvede
dustygilthornsofthestragglingwoodbine,seemedtomakethestillnessmoreoppressive.Thedim
brøl
roarofLondonwaslikethebourdonnoteofafjern
distantorgan.Inthecentreoftheroom,clampedtoan
oprejst
uprighteasel,stoodthefull-lengthportræt
portraitofayoungmanofextraordinarypersonalbeauty,andinfrontofit,somelittledistanceaway,wassittingtheartisthimself,BasilHallward,whosesuddenforsvinden
disappearancesomeyearsagocaused,atthetime,suchpublicspænding
excitementandgaverisetosomanystrangeconjectures.Asthepainterlookedatthegraciousandcomelyformhehadsoskilfullymirroredinhisart,asmileofpleasurepassedacrosshisface,andseemedabouttolingerthere.
Buthesuddenlystartedup,andclosinghiseyes,placedhisfingersuponthelids,asthoughhesoughttoimprisonwithinhisbrainsomecuriousdreamfromwhichhefearedhemightawake.
“Itisyourbestwork,Basil,thebestthingyouhaveeverdone,”saidLordHenrylanguidly.
“YoumustcertainlysenditnextyeartotheGrosvenor.
TheAcademyistoolargeandtoovulgar.
WheneverIhavegonethere,therehavebeeneithersomanypeoplethatIhavenotbeenabletoseethepictures,whichwasdreadful,orsomanypicturesthatIhavenotbeenabletoseethepeople,whichwasworse.
TheGrosvenorisreallytheonlyplace.”
“Idon’tthinkIshallsenditanywhere,”heanswered,
kastede
tossinghisheadbackinthatoddwaythatusedtomakehisfriendslaughathimatOxford.“No,Iwon’tsenditanywhere.”
LordHenryelevatedhiseyebrowsandlookedathiminamazementthroughthethinbluewreathsofsmokethat
krøllede
curledupinsuchfancifulwhorlsfromhisheavy,opium-taintedcigarette.“Notsenditanywhere?
Mydearfellow,why?
Haveyouanyreason?
Whatoddchapsyoupaintersare!
Youdoanythingintheworldto
få
gainareputation.Assoonasyouhaveone,youseemtowanttothrowitaway.
Itissillyofyou,forthereisonlyonethingintheworldworsethanbeingtalkedabout,andthatisnotbeingtalkedabout.
A
portræt
portraitlikethiswouldsetyoufarabovealltheyoungmeninEngland,andmaketheoldmenquitejealous,ifoldmenareevercapableofanyemotion.”“Iknowyouwilllaughatme,”he
svarede
replied,“butIreallycan’tudstille
exhibitit.Ihaveputtoomuchofmyselfintoit.”
LordHenry
strakte
stretchedhimselfoutonthedivanandlaughed.“Yes,Iknewyouwould;
butitisquitetrue,allthesame.”
“Toomuchofyourselfinit!
Uponmyword,Basil,Ididn’tknowyouwereso
forfængelig
vain;andIreallycan’tseeany
lighed
resemblancebetweenyou,withyourruggedstrongfaceandyourcoal-blackhair,andthisyoungAdonis,wholooksasifhewasmadeoutofelfenben
ivoryandrose-leaves.Why,mydearBasil,heisaNarcissus,andyou—well,ofcourseyouhaveanintellectual
udtryk
expressionandallthat.Butbeauty,realbeauty,endswhereanintellectual
udtryk
expressionbegins.Intellectisinitselfamodeofexaggeration,anddestroystheharmonyofanyface.
Themomentonesitsdowntothink,onebecomesallnose,orallforehead,orsomethinghorrid.
Lookatthesuccessfulmeninanyofthelearnedprofessions.
Howperfectlyhideoustheyare!
Except,ofcourse,intheChurch.
ButthenintheChurchtheydon’tthink.
A
biskop
bishopkeepsonsayingattheageofeightywhathewastoldtosaywhenhewasaboyofeighteen,andasanaturalkonsekvens
consequencehealwayslooksabsolutelydejlig
delightful.Yourmysteriousyoungfriend,whosenameyouhavenevertoldme,butwhosepicturereallyfascinatesme,neverthinks.
Ifeelquitesureofthat.
Heissomebrainlessbeautifulcreaturewhoshouldbealwayshereinwinterwhenwehavenoflowerstolookat,andalwayshereinsummerwhenwewantsomethingtochillourintelligence.
Don’tflatteryourself,Basil:
youarenotintheleastlikehim.”
“Youdon’tunderstandme,Harry,”answeredtheartist.
“OfcourseIamnotlikehim.
Iknowthatperfectlywell.
Indeed,Ishouldbesorrytolooklikehim.
Youshrugyourshoulders?
Iamtellingyouthetruth.
Thereisafatalityaboutallphysicaland
intellektuelle
intellectualdistinction,thesortoffatalitythatseemstodogthroughhistorythefalteringstepsofkings.Itisbetternottobedifferentfromone’sfellows.
Theuglyandthestupidhavethebestofitinthisworld.
Theycansitattheireaseandgapeattheplay.
Iftheyknownothingofvictory,theyareatleastsparedtheknowledgeofdefeat.
Theyliveasweallshouldlive—undisturbed,indifferent,andwithoutdisquiet.
Theyneitherbringruinuponothers,noreverreceiveitfromalienhands.
Your
rang
rankandwealth,Harry;mybrains,suchastheyare—myart,whateveritmaybeworth;
DorianGray’sgoodlooks—weshallallsufferforwhatthegodshavegivenus,sufferterribly.”
“DorianGray?
Isthathisname?”
askedLordHenry,walkingacrossthestudiotowardsBasilHallward.
“Yes,thatishisname.
Ididn’t
hensigt
intendtotellittoyou.”“Butwhynot?”
“Oh,Ican’texplain.
WhenIlikepeopleimmensely,Inevertelltheirnamestoanyone.
Itislikesurrenderingapartofthem.
Ihavegrowntolovesecrecy.
Itseemstobetheonethingthatcanmakemodernlife
mystisk
mysteriousormarvelloustous.Thecommonestthingisdelightfulifoneonlyhidesit.
WhenIleavetownnowInevertellmypeoplewhereIamgoing.
IfIdid,Iwouldloseallmypleasure.
Itisasilly
vane
habit,Idaresay,butsomehowitseemstobringagreatdealofromantik
romanceintoone’slife.Isupposeyouthinkme
forfærdeligt
awfullyfoolishaboutit?”“Notatall,”answeredLordHenry,“notatall,mydearBasil.
YouseemtoforgetthatIammarried,andtheone
charme
charmofmarriageisthatitmakesalifeofbedrag
deceptionabsolutelynecessaryforbothparties.Ineverknowwheremywifeis,andmywifeneverknowswhatIamdoing.
Whenwemeet—wedomeet
lejlighedsvis
occasionally,whenwedineouttogether,orgodowntotheDuke’s—wetelleachotherthemostabsurdstorieswiththemostseriousfaces.Mywifeisverygoodatit—muchbetter,infact,thanIam.
Shenevergetsconfusedoverherdates,andIalwaysdo.
Butwhenshedoesfindmeout,shemakesnorowatall.
Isometimeswishshewould;
butshemerelylaughsatme.”
“Ihatethewayyoutalkaboutyourmarriedlife,Harry,”saidBasilHallward,strollingtowardsthedoorthatledintothegarden.
“Ibelievethatyouarereallyaverygoodhusband,butthatyouare
grundigt
thoroughlyashamedofyourownvirtues.Youareanextraordinaryfellow.
Youneversaya
moralsk
moralthing,andyouneverdoawrongthing.Yourcynicismissimplyapose.”
“Beingnaturalissimplyapose,andthemostirritatingposeIknow,”criedLordHenry,laughing;
andthetwoyoungmenwentoutintothegardentogetherandensconcedthemselvesonalongbambooseatthatstoodintheshadeofatalllaurelbush.
Thesunlightslippedoverthepolishedleaves.
Inthegrass,whitedaisiesweretremulous.
Aftera
pause
pause,LordHenrypulledouthiswatch.“IamafraidImustbegoing,Basil,”hemurmured,“andbeforeIgo,I
insisterer
insistonyouransweringaquestionIputtoyousometimeago.”“Whatisthat?”
saidthepainter,keepinghiseyesfixedontheground.
“Youknowquitewell.”
“Idonot,Harry.”
“Well,Iwilltellyouwhatitis.
Iwantyoutoexplaintomewhyyouwon’t
udstille
exhibitDorianGray’spicture.Iwanttherealreason.”
“Itoldyoutherealreason.”
“No,youdidnot.
Yousaiditwasbecausetherewastoomuchofyourselfinit.
Now,thatischildish.”
“Harry,”saidBasilHallward,lookinghimstraightintheface,“every
portræt
portraitthatispaintedwithfeelingisaportræt
portraitoftheartist,notofthesitter.Thesitteris
blot
merelytheaccident,theoccasion.Itisnothewhoisrevealedbythepainter;
itisratherthepainterwho,onthecoloured
lærred
canvas,revealshimself.ThereasonIwillnot
udstille
exhibitthispictureisthatIamafraidthatIhaveshowninitthesecretofmyownsoul.”LordHenrylaughed.
“Andwhatisthat?”
heasked.
“Iwilltellyou,”saidHallward;
butan
udtryk
expressionofperplexitycameoverhisface.“Iamall
forventning
expectation,Basil,”continuedhiscompanion,glancingathim.“Oh,thereisreallyverylittletotell,Harry,”answeredthepainter;
“andIamafraidyouwillhardlyunderstandit.
Perhapsyouwillhardlybelieveit.”
LordHenrysmiled,andleaningdown,
plukket
pluckedapink-petalleddaisyfromthegrassandundersøgte
examinedit.“IamquitesureIshallunderstandit,”he
svarede
replied,gazingintentlyatthelittlegolden,white-feathereddisk,“andasforbelievingthings,Icanbelieveanything,providedthatitisquiteincredible.”Thewindshooksomeblossomsfromthetrees,andtheheavylilac-blooms,withtheirclusteringstars,movedtoandfrointhelanguidair.
Agrasshopperbegantochirrupbythewall,andlikeablue
tråd
threadalongthindragon-flysvævede
floatedpastonitsbrowngauzewings.LordHenryfeltasifhecouldhearBasilHallward’sheartbeating,andwonderedwhatwascoming.
“Thestoryissimplythis,”saidthepainteraftersometime.
“TwomonthsagoIwenttoacrushatLadyBrandon’s.
Youknowwepoorartistshavetoshowourselvesinsocietyfromtimetotime,justtoremindthepublicthatwearenotsavages.
Withaneveningcoatandawhitetie,asyoutoldmeonce,anybody,evenastock-broker,can
få
gainareputationforbeingciviliseret
civilized.Well,afterIhadbeenintheroomabouttenminutes,talkingtohugeoverdresseddowagersandtediousacademicians,Isuddenlybecame
bevidst
consciousthatsomeonewaslookingatme.Iturned
halvvejs
half-wayroundandsawDorianGrayforthefirsttime.Whenoureyesmet,IfeltthatIwasgrowing
bleg
pale.Acurioussensationof
rædsel
terrorcameoverme.IknewthatIhadcomefacetofacewithsomeonewhose
blot
merepersonalitywassofascinatingthat,ifIallowedittodoso,itwouldabsorbere
absorbmywholenature,mywholesoul,myveryartitself.Ididnotwantany
ydre
externalinfluenceinmylife.Youknowyourself,Harry,how
uafhængig
independentIambynature.Ihavealwaysbeenmyownmaster;
hadatleastalwaysbeenso,tillImetDorianGray.
Then—butIdon’tknowhowtoexplainittoyou.
SomethingseemedtotellmethatIwasonthe
randen
vergeofaterriblecrisisinmylife.Ihadastrangefeelingthatfatehadinstoreforme
udsøgte
exquisitejoysandexquisitesorrows.Igrewafraidandturnedtoquittheroom.
Itwasnot
samvittighed
consciencethatmademedoso:itwasasortofcowardice.
Itakenocredittomyselffortryingtoescape.”
“Conscienceandcowardicearereallythesamethings,Basil.
Samvittighed
Conscienceisthetrade-nameofthefirm.Thatisall.”
“Idon’tbelievethat,Harry,andIdon’tbelieveyoudoeither.
However,whateverwasmymotive—anditmayhavebeenpride,forIusedtobeveryproud—Icertainlystruggledtothedoor.
There,ofcourse,I
snublede
stumbledagainstLadyBrandon.‘Youarenotgoingtorunawaysosoon,Mr.Hallward?’shescreamedout.
Youknowhercuriouslyshrillvoice?”
“Yes;
sheisa
påfugl
peacockineverythingbutbeauty,”saidLordHenry,pullingthedaisytobitswithhislongnervousfingers.“Icouldnotgetridofher.
Shebroughtmeuptoroyalties,andpeoplewithstarsandgarters,andelderlyladieswithgigantictiarasand
papegøje
parrotnoses.Shespokeofmeasherdearestfriend.
Ihadonlymetheroncebefore,butshetookitintoherheadtolionizeme.
Ibelievesomepictureofminehadmadeagreatsuccessatthetime,atleasthadbeenchatteredaboutinthepennynewspapers,whichisthenineteenth-century
standard
standardofimmortality.SuddenlyIfoundmyselffacetofacewiththeyoungmanwhose
personlighed
personalityhadsostrangelystirredme.